{"id":173,"date":"2020-07-20T22:36:20","date_gmt":"2020-07-20T19:36:20","guid":{"rendered":"http:\/\/yusuferadam.com\/?page_id=173"},"modified":"2022-02-28T23:46:42","modified_gmt":"2022-02-28T20:46:42","slug":"academic-resume","status":"publish","type":"page","link":"http:\/\/yusuferadam.com\/?page_id=173","title":{"rendered":"Academic Resume"},"content":{"rendered":"<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CV &ndash; <\/strong><strong>RESUM\u0116 &nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Name: YUSUF ERADAM<\/strong><\/p>\n<p><strong>Title: Lecturer, Prof. Dr.<\/strong><\/p>\n<p><strong>Date of Birth: <\/strong>29. 03. 1954<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Education: <\/strong><\/p>\n<table width=\"0\">\n<tbody>\n<tr>\n<td width=\"118\">\n<p><strong>Degree <\/strong><\/p>\n<\/td>\n<td width=\"180\">\n<p><strong>Field <\/strong><\/p>\n<\/td>\n<td width=\"210\">\n<p><strong>University<\/strong><\/p>\n<\/td>\n<td width=\"48\">\n<p><strong>Year<\/strong><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"118\">\n<p>&nbsp;<\/p>\n<\/td>\n<td width=\"180\">\n<p>Literature<\/p>\n<\/td>\n<td width=\"210\">\n<p>Dar&uuml;\u015f\u015fafaka High School<\/p>\n<\/td>\n<td width=\"48\">\n<p>1973<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"118\">\n<p>BA<\/p>\n<\/td>\n<td width=\"180\">\n<p>English Language &amp; Literature<\/p>\n<\/td>\n<td width=\"210\">\n<p>Hacettepe University, Ankara<\/p>\n<\/td>\n<td width=\"48\">\n<p>1977<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"118\">\n<p>MA 1<\/p>\n<\/td>\n<td width=\"180\">\n<p>English Language &amp; Literature<\/p>\n<\/td>\n<td width=\"210\">\n<p>Hacettepe University, Ankara<\/p>\n<\/td>\n<td width=\"48\">\n<p>1979<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"118\">\n<p>MA 2<\/p>\n<\/td>\n<td width=\"180\">\n<p>TESOL (Teaching English to the Students of Other Languages \/ Teacher Training)<\/p>\n<\/td>\n<td width=\"210\">\n<p>University of Edinburgh, Moray House College of Education, Scotland, UK<\/p>\n<\/td>\n<td width=\"48\">\n<p>1989<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"118\">\n<p>Ph.D.<\/p>\n<\/td>\n<td width=\"180\">\n<p>English Language &amp; Literature<\/p>\n<\/td>\n<td width=\"210\">\n<p>Hacettepe University, Ankara<\/p>\n<\/td>\n<td width=\"48\">\n<p>1986<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"118\">\n<p>Upper Intermediate Level<\/p>\n<\/td>\n<td width=\"180\">\n<p>&nbsp;<\/p>\n<p>FRENCH<\/p>\n<\/td>\n<td width=\"210\">\n<p>&nbsp;<\/p>\n<p>L&rsquo;Institute Fran&ccedil;aise, Ankara<\/p>\n<\/td>\n<td width=\"48\">\n<p>&nbsp;<\/p>\n<p>1979<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp; Academic Titles:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Received From -In:<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Research Assistant: <\/strong>Ankara University, 1985<\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Assistant Prof.&nbsp;&nbsp; :&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Ankara University, 1989<\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Associate Prof.&nbsp;&nbsp; :&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Ankara University, 1991<strong> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><\/p>\n<p><strong>Professor Dr.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; :&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Ankara University, 2000<\/p>\n<p><strong>Professor (Retired)<\/strong>: Ankara University, 2004<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Executive &#8211; Administrative Duties: Y<\/strong><strong>&ouml;neticilik G<\/strong><strong>&ouml;revleri<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li><strong>Chair<\/strong>: Ankara University, Faculty of Science and Letters, Dil ve Tarih-Co\u011frafya Fak&uuml;ltesi, Department of <strong>American Culture and Literature<\/strong>. 1999-2004. (12 semesters) Amerikan K&uuml;lt&uuml;r&uuml; ve Edebiyat\u0131, B&ouml;l&uuml;m B\u015fk.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><strong>Founding Chair<\/strong>: <strong>Translation Studies,<\/strong> Hali&ccedil; University, 2005-2006. (2 semesters) &Ccedil;eviribilim B&ouml;l&uuml;m&uuml;, Kurucu B\u015fk.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li><strong>Chair<\/strong>: Bah&ccedil;e\u015fehir University (BAU), <strong>American Culture and Literature Department<\/strong> (2013-2014) Amerikan K&uuml;lt&uuml;r&uuml; ve Edebiyat\u0131, B&ouml;l&uuml;m B\u015fk.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li><strong>Chair by Invitation<\/strong>: <strong>T. C. Istanbul K&uuml;lt&uuml;r<\/strong><strong> University<\/strong>, <strong>English Language and Literature Department<\/strong> (2014- 2018) \u0130ngiliz Dili ve Edebiyat\u0131, B&ouml;l&uuml;m B\u015fk.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li><strong> Founding Chair by Invitation<\/strong>: TED University, Department of English Language and<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Literature (March 2018-2021)<strong> Davetli Kurucu B<\/strong><strong>&ouml;l&uuml;<\/strong><strong>m Ba\u015fkan\u0131, \u0130ngiliz Dili ve Edebiyat\u0131<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Post-graduate dissertations supervised by Eradam: Tez Dan\u0131\u015fmanl\u0131klar\u0131<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MA <\/strong><\/p>\n<ol>\n<li>Erkan Avc\u0131, <em>Charles Brockden Brown &amp; the Gothic, <\/em>1998.<\/li>\n<li>Devrim K\u0131l\u0131&ccedil;er, <em>Fahrenheit 2000<\/em>: <em>Alienation in Edward Albee&rsquo;<\/em><em>s Works, <\/em>2001.<\/li>\n<li>Tuba Geyikler, <em>Mythical and Religious Elements in Louise Erdrich&rsquo;<\/em><em>s Novels, <\/em>2001.<\/li>\n<li>&Ccedil;i\u011fdem Pakel, <em>The Aesthetics of the Religion-Based-Violence Ideology in Popular <\/em><\/li>\n<\/ol>\n<p><em>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;American Films, <\/em>2004.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;<strong>Ph.D.<\/strong><\/p>\n<ol>\n<li>S\u0131rma Soran, <em>Staging the Soul: Expressionism and Eugene O&rsquo;Neill.<\/em> Ankara U. 2004.<\/li>\n<li>Devrim K\u0131l\u0131&ccedil;er, <em>Symbolic and Ontological Meanings of the Symbols of the New York City, <\/em><\/li>\n<\/ol>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ankara 2004.<\/em> (Published by Ibidem-Verlag, 2008, with the title <em>Tower Power: The US <\/em><\/p>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on a Freudian Couch after 9\/11: A Socio-Psychoanalytic Study of New York Towers<\/em>. )<\/p>\n<ol start=\"3\">\n<li>Fatma T&uuml;ba Terci, <em>Postmodern Goddesses in Contemporary Chicana Feminist Novel: <\/em><\/li>\n<\/ol>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Peel My Love Like an Onion, Caramelo, or, Puro Cuento: A Novel <\/em>and<em> Face of an <\/em><\/p>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Angel. <\/em>Ankara University, 2008.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Awards:<\/strong>&nbsp; &Ouml;d&uuml;lleri<\/p>\n<p>&nbsp;<\/p>\n<p>-2022&nbsp; <strong>&Ccedil;eviri Derne\u011fi, Meslekte Onur &Ouml;d&uuml;l&uuml; 2021<\/strong>. The Honorary Award in the Profession for 2021 by the Translation Association of Turkey.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>-2012 <strong>Council of Istanbul Architects, Short Story Contest on &ldquo;<\/strong><strong>Architecture and Human Rights&rdquo;,<\/strong> <strong>One of the Best 20 Stories<\/strong>, with his Story &ldquo;Muskal\u0131 Ev&rdquo; (<strong>The House with a Talisman<\/strong>) (Mimarl\u0131k &Ouml;yk&uuml;leri Yar\u0131\u015fmas\u0131-3: Mimarl\u0131k ve \u0130nsan Haklar\u0131: TMMOB Mimarlar Odas\u0131&nbsp; B&uuml;y&uuml;kkent \u015eubesi, July 2012. 131-137.<\/p>\n<p>&nbsp;<\/p>\n<p>-2011 <strong>Best Translation of the Year by Ankara Art Council for <em>Yast\u0131k Adam<\/em> (<\/strong><strong><em>The Pillowman<\/em>) <\/strong><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A play by Martin McDonagh)<\/p>\n<p>&nbsp;<\/p>\n<p>-2008 <strong>Scholarship to represent Turkey in the first WALTIC CONGRESS for writers and translators<\/strong>; Stockholm.<\/p>\n<p>&nbsp;<\/p>\n<p>-2003 <strong>KODAK T&uuml;rkiye Photography Contest,<\/strong> Amongst 5000 Photographs, <strong>One of the Best 50<\/strong> to be&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Exhibited, with his phote titled &ldquo;<strong>The Witness<\/strong>&rdquo;\/ &ldquo;Tan\u0131k.&rdquo;<\/p>\n<p>&nbsp;<\/p>\n<p>-2002 <strong>First Prize<\/strong>, <strong>Best Short Film Story (Cinderella<\/strong>) Istanbul Short Films Association, Competition<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; on Stories of &amp; about the Street. (This story was used in the curriculum of SVSU, Michigan, in 1998-99)<\/p>\n<p>&nbsp;<\/p>\n<p>-1999 <strong>Distinguished Foreign Professor<\/strong>. By Invitation to teach Comparative Literature (Turkish-<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; American) and Introduction to Literature. <strong><em>SVSU. Saginaw Valley State University<\/em><\/strong>, Michigan.<\/p>\n<p>&nbsp;<\/p>\n<p>-1999 <strong>The British Council Scholarship<\/strong> to Represent Turkey in the Cambridge, Downing College<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gathering of World Writers and Translators, <strong><em>The Contemporary British Writer Seminar <\/em><\/strong><\/p>\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Representative from Turkey.<\/em><\/strong>&nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>-1994. <strong>Distinguished Foreign Professor<\/strong>. Summer School. By Invitation <strong>to teach Comparative <\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Literature and Literature &amp; Film.<\/strong> <strong>UNLV<\/strong> (<strong>University of Nevada Las Vegas<\/strong>).<\/p>\n<p>&nbsp;<\/p>\n<p>-1993 <strong>USIA<\/strong> <strong>&amp; American Embassy Scholarship<\/strong> &ldquo;<strong><em>FCR FY 93 EU Regional Project<\/em><\/strong><em>, American <\/em><\/p>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Studies<\/em>&rdquo; <strong>to Represent Turkey<\/strong>, 5 April-1 May.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>-1989 <strong>The British Council, Grant-in Aid Bursary<\/strong>, to interview the British experts on <strong>Literature in <\/strong><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Language Teaching<\/strong> before writing MA dissertation.<\/p>\n<p>&nbsp;<\/p>\n<p>-1988-89: <strong>The British Council, MA Scholarship<\/strong>, Moray House College of Education, Edinburgh.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>-1990 <strong>TRT-T&Uuml;TAV Song Contest<\/strong>, Mansion, &ldquo;<strong>You Have Many Lovers A<\/strong><strong>natolia<\/strong>&ldquo; (Music &amp; Lyrics by<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yusuf Eradam)<\/p>\n<p>&nbsp;<\/p>\n<p>-1985, <strong>Marmaris Song Contest Finalist<\/strong>, (&ldquo;R&uuml;ya Marmaris \/<strong> Marmaris, A Dream<\/strong>) Music &amp; Lyrics by Yusuf Eradam)<\/p>\n<p>&nbsp;<\/p>\n<p>-1984, <strong>Eurovision Song Contest Turkey Finalist<\/strong> (&ldquo;Ka&ccedil; Para&rdquo; \/ &ldquo;<strong>How Much Money<\/strong>.&rdquo;) Music &amp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lyrics by Yusuf Eradam. &#8211; Kayahan sang the song on the Turkey finals.)<\/p>\n<p>&nbsp;<\/p>\n<p>-1983, <strong>Eurovision Song Contest Turkey Finalist<\/strong> (&ldquo;Ya\u015fayamam,&rdquo; \/ &ldquo;I Can&rsquo;t Live&rdquo;) Music &amp; Lyrics by Yusuf Eradam)<\/p>\n<p>&nbsp;<\/p>\n<p>-1966: <strong>Reading Competition<\/strong>, <strong>Best English Pronunciation among the Prep-School Students<\/strong>, <strong>Dar&uuml;\u015f\u015f<\/strong><strong>afaka High School.<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>International Awards: Uluslararas\u0131 &Ouml;d&uuml;ller<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>-2018 &ldquo;Bubbles and Horses,&rdquo; Eradam&rsquo;s first short film about horses run to carriages to carry tourists around in Brugge, Belgium. <strong>Selected to be circulated in Canadian schools<\/strong>. <strong>Planet in Focus<\/strong> Contest, Toronto, October-November 2018.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>&#8211;<strong>Best Short Story: <\/strong>&ldquo;<strong>What a Pity<\/strong>!&rdquo; <em>Cardinal Sins<\/em>,&nbsp; Michigan,&nbsp; USA. 1999.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8211;<strong>Two Stories in USA syllabi:<\/strong><\/p>\n<ol>\n<li><strong>SVSU: Saginaw Valley State University, Department of English<\/strong><em>, <\/em><strong>-&ldquo;<\/strong><strong>Cinderella<\/strong> \/<\/li>\n<\/ol>\n<p>K&uuml;lkedisi<strong>&rdquo;<\/strong>, October 1998.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li>&ldquo;<strong>The Foal on the Pitchfork<\/strong>&rdquo; (&ldquo;Dirgendeki Tay&rdquo;) at <strong>East Illinois University, Chicago<\/strong>.<\/li>\n<li>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p><strong>Courses Taught by Eradam:<\/strong><strong> Verdi\u011fi Dersler<\/strong><\/p>\n<p>Creative Thinking and Behaviour<\/p>\n<p>Visual Culture<\/p>\n<p>Art of Story-Telling<\/p>\n<p>Translation<\/p>\n<p>Literary Translation<\/p>\n<p>Introduction to Literature<\/p>\n<p>Introduction to Poetry, Drama &amp; the Novel<\/p>\n<p>Narration in Literature &amp; Film<\/p>\n<p>American Drama<\/p>\n<p>Popular Culture<\/p>\n<p>Cinema Studies and Film Analysis<\/p>\n<p>The Road in American Film<\/p>\n<p>Special Topics in Translation<\/p>\n<p>Comparative Literature (Turkish, American in the USA)<\/p>\n<p>19<sup>th<\/sup> Century English and American Poetry<\/p>\n<p>20<sup>th<\/sup> Century Modern and Contemporary Poetry (British &amp; American)<\/p>\n<p>American Novel (19<sup>th<\/sup> and 20<sup>th<\/sup> Centuries)<\/p>\n<p>Selected Topics in American Literature<\/p>\n<p>Selected Topics in American Literature<\/p>\n<p>From Text to Screen (Adaptations)<\/p>\n<p>Varieties of Romanticism<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Supervising Art \/ Theatre \/ Performance: Tiyatro Sanat Dan\u0131\u015fmanl\u0131\u011f\u0131<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li>Ankara State Theatre, Bilgesu Erenus&rsquo; play &ldquo;Arka Bah&ccedil;e \/ <strong><em>Backyard,<\/em><\/strong>&rdquo; <strong>Sanat Dan\u0131\u015fmanl\u0131\u011f\u0131 \/ Art Director. <\/strong>Director: \u0130skender Alt\u0131n. 1998.<\/li>\n<li>Martin McDonagh&rsquo;s <strong><em>The Pillowman<\/em><\/strong> directed by Ilham Yazar at Ankara, State Theatre, 2010-2012.<\/li>\n<li><strong>DAR&Uuml;\u015e\u015e<\/strong><strong>AFAKA High School, 150<sup>th<\/sup> Anniversary Musical (&ldquo;<\/strong><strong>Before the Gate&rdquo;)<\/strong> 2013<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>Editorial &#8211; Board Memberships, Referee &amp; Other Duties:<\/strong><strong> Di\u011f<\/strong><strong>er G<\/strong><strong>&ouml;revler<\/strong><\/p>\n<p><strong>&#8211;<\/strong><strong><em>Popular Culture Review<\/em>, USA, volume 28, No. 1, Winter 2017 (Referee, Editorial Board, ongoing, devam ediyor.).<\/strong><\/p>\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp; <\/em><\/strong><strong>&#8211;<em>ASAT<\/em><\/strong><strong> (American Studies of Turkey, Founding Honorary Member, 1988-&nbsp; )<\/strong><\/p>\n<p><strong>-PEN Writers Turkey<\/strong><\/p>\n<p><strong>-Turkey Theatre Critics Association (TEB)<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<em>&Ccedil;<\/em><\/strong><strong><em>EVB\u0130<\/em><\/strong><strong><em>R, &Ccedil;evirmenler Meslek Birli\u011fi<\/em><\/strong><strong> (Translators&rsquo; <\/strong><strong>Union, A Founding Member)<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -&Ccedil;eviri Derne\u011f<\/strong><strong>i, Translators Association (Dan\u0131\u015fma Kurulu <\/strong><strong>&Uuml;<\/strong><strong>yesi, Advisory Board Member)<\/strong><\/p>\n<p><strong>&nbsp;&nbsp; &#8211;<\/strong><strong><em>Theatre Research Journal, Ankara University<\/em><\/strong>, Dil ve Tarih-Co\u011frafya&nbsp; Fak&uuml;ltesi. (<strong>Advisor, Referee<\/strong>)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Associate Professor Exams <strong>Jury Member and Chair<\/strong><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Assistant Prof. Dr. <strong>Language Exams Chair<\/strong><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Higher Education Committee (Y&Ouml;K), <strong>Bilirki\u015f<\/strong><strong>i \/ Expertise Reporter<\/strong><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -BAKEA, Abstract Selection <strong>Committee Member<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Social Sciences <strong>Post-Graduate Studies Committee Member<\/strong>&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp; -Ankara University, <strong><em>Faculty of Western Languages and Literatures Journal<\/em> (Referee)<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<\/strong><em>&Ccedil;.N. &Ccedil;evirmenin Notu.<\/em> (<strong><em>Translator&rsquo;s Footnote<\/em><\/strong>) (<strong>Advisor and contributor<\/strong>)<\/p>\n<p><strong><em>&nbsp;&nbsp; &#8211; &Ccedil;<\/em><\/strong><strong><em>ankaya University, Journal of Arts and Sciences<\/em><\/strong> (Fen-Edebiyat Fak&uuml;ltesi Dergisi.<em>) <\/em>Ankara. (<strong>Referee<\/strong>)<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<strong><em>Kaos Queer+<\/em><\/strong>. Ankara (<strong>Advisory Board, Referee<\/strong>)<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<strong><em>PsikeArt, PsikeSinema<\/em><\/strong> (<strong>Advisory Board<\/strong>, contributor, advisory for 2 issues only)<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<strong>Advisor<\/strong>, Kocaeli University, Modernism and Post-Modernism Group of Academicians<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<strong>Advisor<\/strong> on the International Conferences Board of Faculty of Sciences and Letters<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211;<strong>TEDU<\/strong>, <strong>Full Professors Committee Member<\/strong>, Faculty of Sciences and Letters<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Publications, Articles: Yay\u0131nlar\u0131, Makaleler<\/strong><\/p>\n<p><strong>(<\/strong><em>If the works \/ publications \/ presentations were originally written in English titles are <strong>highlighted <\/strong><strong>&lsquo;<\/strong><\/em><strong><em>bold&rsquo;<\/em><\/strong><em>, and if they were written in Turkish their titles are translated into English &amp; English <strong>title translations are highlighted in brackets<\/strong>.<\/em><strong>)<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>International refereed journals:<\/strong> Uluslararas\u0131 Hakemli Dergiler<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li><strong>&ldquo;MY LIFE=A HAIKU:&rdquo; The Transnational Eco-Ecesis of an Anatolian Boy via Creativity in the Age of the Anthropocene. <em>North Dakota Quarterly<\/em>, 2017<\/strong>: 79 -112.<\/li>\n<li><strong>&ldquo;<\/strong><strong>Donald Trump in Turkish Media,&rdquo; <\/strong><strong><em>Popular Culture Review<\/em>, <\/strong>USA, Winter 2017 (1): 26-59.&nbsp; <strong>(Article by invitation; Also Editorial Board member and a referee.)<\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n<ol start=\"3\">\n<li><strong>&ldquo;<\/strong><strong>Foal on a Pitchfork&rdquo; <\/strong>(Trans. Prof. Dr. Berrin Aksoy)<strong> <em>META<\/em><\/strong> (Canada) (47 (1), 2002:<\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>145-147.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"4\">\n<li>&ldquo;<strong>The Hidden Smart Bomb: Terrorism Discourse and War Semantics (Towards a <\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Global-American Grounding<\/strong>)&rdquo; <em>JAST<\/em>. <em>Journal of American Studies of Turkey<\/em><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Rhetoric and\/as Terrorism: Notes on September 11<\/em> special issue.14 (Fall, 2001): 7-14.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li>&ldquo;<strong>My Sense of Belonging to Istanbul<\/strong>,&rdquo; <em>IMAGES (IV): Images of the Other, Istanbul &ndash; Vienna &ndash; Venice<\/em>. International Conference Proceedings, Lit-Verlag, Wien, Zurich, 2015: 49-60.<\/li>\n<li><strong>&ldquo;Two Swan Songs: Two Statements of Finality and the Joy of Life in the Poetic Worlds of Sylvia Plath and Nilg&uuml;n Marmara,&rdquo;<\/strong> (updated &amp; edited reprint by invitation), BATAS, Turkish Area Studies Review, Bulletin of the British Association for Turkish Area Studies. No.35. Spring 2020: 52- 57. ISSN 1474-0125.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>ACADEMIC BOOKS:&nbsp; Bilimsel Alan Kitaplar\u0131<\/strong><\/p>\n<ol>\n<li><em>Sylvia: Ben&rsquo;den &Ouml;nce Tufan. Sylvia Plath ve \u015eiiri<\/em>. (<strong><em>The Deluge Before the Self: Sylvia Plath and Her Poetry<\/em><\/strong>) <strong>Extended New Edition with sections on Nilg&uuml;n Marmara&rsquo;<\/strong><strong>s poetry<\/strong>.) Istanbul: K\u0131rm\u0131z\u0131 Kedi Yay\u0131nlar\u0131, 2015.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><em>Thespis&rsquo;in Delileri: Tiyatroda Tek Etki<\/em>. (<strong><em>The Madman of Thespis: Totality in Effect in Theatre<\/em><\/strong>) Ankara: Efil Yay\u0131nlar\u0131, 2010 (Bilimsel \u0130nceleme &amp; Ele\u015ftiri)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li><em>Vanilyal\u0131 \u0130deoloji: K&uuml;resel Bellek &Uuml;zerine Denemeler.<\/em> (<strong><em>Vanilla Ideology. Essays on Global Memory<\/em><\/strong>): Ayk\u0131r\u0131 Yay\u0131nlar\u0131, 2004.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li><em>Ben&rsquo;den &Ouml;nce Tufan: Sylvia Plath ve \u015eiiri.<\/em> (<strong><em>The Deluge Before the Self: Sylvia Plath and Her Poetry<\/em><\/strong>) Ankara: \u0130mge Kitabevi, 1997.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li><em>A\u015fk Bir \u015eiddet Eylemidir: Latifeli Yaz\u0131lar. <\/em>(<strong><em>Love Is an Act of Violence: Enigmatic Essays, Memoirs, Letters<\/em><\/strong>) Istanbul: E Yay\u0131nlar\u0131, 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li><em>Susma Cesareti.<\/em><strong><em> (The Courage of Shutting Up<\/em>) <\/strong>Ankara: Nar Yay\u0131nevi, 2006. (<strong>Essays on Film<\/strong>, Sinema Yaz\u0131lar\u0131).<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chapters \/ Sections in international publications: Uluslararas\u0131 Yay\u0131n, Kitaplarda B<\/strong><strong>&ouml;l&uuml;mler<\/strong><\/p>\n<ul>\n<li>&ldquo;<strong>Like a Flash in the Pen: Sustaining the Voice of the Rebel Ecologies by Poetry in the Turkish Culture of Obedience.&rdquo; <\/strong> (Pending publication.)<\/li>\n<li>&ldquo;<strong>Spiritus Domus: The Decorum of Ecological-Ecesis by Creativity<\/strong>,&rdquo; <strong><em>Turkish Ecocriticism. From Neolithic to Contemporary Timescapes<\/em><\/strong>, Chapter 17. Eds: Serpil Oppermann, Sinan Akilli. New York: Lexington Books, 2020: 267-288.<\/li>\n<li>&#8220;<strong>A Brief Note to the Bag Lady, Ma Sister<\/strong><em>,<strong>&rdquo;<\/strong> <\/em><strong><em>This Same Sky: A Collection of Poems from Around the World<\/em>.<\/strong> (ed) Naomi Shihab Nye. New York: Four Winds Press. 1988. (Eradam contributed to this anthology with other poems from Turkey including his own:: 133-134.)<\/li>\n<li>&ldquo;<strong>Stone for a Sling,&rdquo;<\/strong> <strong><em>The Space Between Our Footsteps: Poems and Paintings from the Middle East.<\/em><\/strong> New York: Simon and Schuster<em>. <\/em> (Eradam contributed to this anthology with artworks from Turkey and with a poem of his own &#8220;<strong>Stone for a Sling<\/strong>&rdquo; \/ &ldquo;Sapana Ta\u015f&rdquo;, inspired by a painting by Reha Yalnizcik. This poem has also been translated into Arabic and published in a world poetry site in Arabic:<\/li>\n<\/ul>\n<p>https:\/\/ell.tedu.edu.tr\/tr\/ell\/gundem\/haberler\/yusuf-eradamin-siiri-poems-for-lifeta)&nbsp;&nbsp;<\/p>\n<ul>\n<li><strong><em>CHE in Verse<\/em><\/strong>. Ed. Gavin O&rsquo;Toole &amp; Georgina Jimenez.Wiltshire: Aflame Books, 2007.<\/li>\n<\/ul>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Eradam contributed to this anthology with the translations of poetry on\/about Che from&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Turkey, also with his research on the unjust treatment poets were subjected to due to the&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; poems&rsquo; content, which was included in the anthology acknowledged and cited in the<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; editor&rsquo;s &ldquo;Introduction.&rdquo;)<\/p>\n<ul>\n<li>Yusuf Eradam,<strong> &ldquo;<\/strong><strong>Stone for a Sling,&rdquo; &ldquo;Mr. Ahmet&rsquo;<\/strong><strong>s Shoes&rdquo; <\/strong>by K. Tu\u011fcu &amp; <strong>&ldquo;<\/strong><strong>Talk&rdquo;<\/strong> by<\/li>\n<\/ul>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>G&ouml;khan Tok (Both Translated by Yusuf Eradam). <em>The Flag of Childhood: Poems&nbsp;&nbsp; <\/em><\/p>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; From the Middle East. <\/em>Selected by Naomi Shihab Nye. New York: Aladdin<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Paperback 2002: 55, 9, 65.<\/p>\n<ul>\n<li>Yusuf Eradam, <strong>&ldquo;Hartford Blues,&rdquo;<\/strong> (8), &ldquo;<strong>Man in Manhattan,&rdquo;<\/strong> (14) <strong><em>Cardinal Sins<\/em>.<\/strong><\/li>\n<\/ul>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Saginaw Valley State University, Fall, 1999.&nbsp;<\/p>\n<ul>\n<li>Yusuf Eradam,<strong> &ldquo;What a Pity!&rdquo; <\/strong><em>Cardinal Sins<\/em>. Saginaw Valley State University, Fall<\/li>\n<\/ul>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>1999: 45-46.<\/p>\n<ol start=\"9\">\n<li><strong>Ahmet Arif ve R\u0131<\/strong><strong>fat Ilgaz, Two poems translated by Eradam<\/strong>. <em>Rhino 99: The Poetry Forum<\/em>. NYC, 1999: 76, 77.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>G&uuml;<\/strong><strong>lten Ak\u0131<\/strong><strong> Translated by Yusuf Eradam<\/strong>. <em>Turkish Poetry Today 2016<\/em>. Eds. Mel Kenne, Saliha Paker, Idil Karacada\u011f. London: Red Hand Books, December 2016: 78<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>G&uuml;lten Ak\u0131 Translated by Yusuf Eradam. Turkish Poetry Today 2017. Eds. M.Kenne, S. Paker, \u0130dil Karacada\u011f. Red hand Books, 2017: 44-45.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Publications \/Articles in the national refereed journals of Turkey: Ulusal Hakemli Dergiler<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>&ldquo;G&ouml;rsel K&uuml;lt&uuml;rde Pop&uuml;ler U&ccedil;urumlar,&rdquo; (<strong>Popular Precipices in Visual Culture<\/strong>) IKU, Fen-Edebiyat Fak&uuml;ltesi, Kahve Bahane Konu\u015fmalar\u0131. \u0130KU Publications, 2016.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li>&ldquo;A\u015fk\u0131n S&ouml;z&uuml; K&ouml;rd&uuml;r: Bat\u0131n\u0131n A\u015fk Pazar\u0131 ve Paradigmalar\u0131,&rdquo; (<strong>Love&rsquo;s Word is Blind: Paradigms of the West&rsquo;s Love Market<\/strong>) <em>Do\u011fu Bat\u0131. <\/em>Year 7. No. 27. May-June-July 2004: 63-80.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li>&ldquo;Santa Godot&rsquo;ya Mektup,&rdquo; (<strong>Letter to Santa Godot<\/strong>) <em>3P Dergisi<\/em>, Vol 5, Additional issue 2,&nbsp; June 1997: 17- 19.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li>&ldquo;<strong>Sons<\/strong><strong>&ouml;z \u0130ntihar: Nilg&uuml;n Marmara ve Sylvia Plath&rsquo;\u0131n \u015eiirleri<\/strong>,&rdquo; (Final Word, Suicide: Poetry by Sylvia Plath &amp; Nilg&uuml;n Marmara) <em>Ankara University, Dil ve Tarih-Co\u011frafya Fak&uuml;ltesi, Tiyatro Ara\u015ft\u0131rmalar\u0131 Dergisi<\/em>, No. 1. Year 1994: 41-59.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Sons&ouml;z \u0130ntihar: Nilg&uuml;n Marmara ve Sylvia Plath&rsquo;\u0131n \u015eiiri&rdquo; (Final Word, Suicide: Poetry<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; by Sylvia Plath &amp; Nilg&uuml;n Marmara) <em>Promete. <\/em>Say\u0131 19-20. March-April 1994: 35-45.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li>&ldquo;<strong>Reasons for and Benefits of Integrating Literature and CLT (Communicative <\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Language Teaching)<\/strong>,&rdquo; <em>Ege, \u0130ngiliz ve Amerikan \u0130ncelemeleri Dergisi<\/em>, \u0130zmir: Ege<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; University, Edebiyat Fak&uuml;ltesi Yay\u0131nlar\u0131, 1994.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li>&ldquo;<strong>The Theatre of the Absurd and Jean Genet<\/strong>,&rdquo; <em>Dil ve Tarih-Co\u011frafya Fak&uuml;ltesi, <\/em><\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Tiyatro Ara\u015ft\u0131rmalar\u0131 Dergisi.<\/em> No. 9. 1992: 15-23.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>&ldquo;<strong>T.S. Eliot&rsquo;<\/strong><strong>s Interpretation of Modern Life<\/strong>,&rdquo; <em>Hacettepe University, Edebiyat <\/em><\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Fak&uuml;ltesi Dergisi<\/em>, Vol. 9, No. 1-2, December 1992.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"8\">\n<li>&ldquo;<strong>Plays for the Progress and the Individual Liberty of the Human Race<\/strong>,&rdquo; Middle<\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>East Technical University, <em>Journal of Human Sciences<\/em>, X\/1, (1-9):1991:1-9.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ul>\n<li>&ldquo;<strong>The Epic Strain in the Caucasian Chalk Circle<\/strong>,&rdquo; <em>Ankara University<\/em>, <em>Tiyatro <\/em><\/li>\n<\/ul>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ara\u015ft\u0131rmalar\u0131 Dergisi<\/em>. No: 10.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>&ldquo;<strong>Literature and EFL: Criteria for Text Selection<\/strong>,&rdquo; <em>Middle East Technical <\/em><\/li>\n<\/ul>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; University, Journal of Human Sciences<\/em>, X\/2, (1991): 47-55.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Papers presented at the national events and published in the proceedings: Ulusal Konferanslarda Yap\u0131lan ve Konferans Kitab\u0131nda Yay\u0131mlanan Konu\u015fmalar\u0131<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>&ldquo;Saftirik Seyyah &Ccedil;evirir Gezer! \/ <strong>Gullible Travels Translating<\/strong>.&rdquo;&nbsp; University,&nbsp; M&uuml;tercim-Terc&uuml;manl\u0131k B&ouml;l&uuml;m&uuml;; <em>&Ccedil;eviri Eti\u011fi Toplant\u0131s\u0131; &Ccedil;eviri ve &Ccedil;evirmenli\u011fin Etik Sorunlar\u0131. (Gathering on the Translation Ethics) <\/em>December 8, 2006. Published in 2008: 105-119.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li>&ldquo;N&acirc;z\u0131m Hikmet \u015eiirinin Evrensel Boyutlar\u0131,&rdquo; (<strong>The Universality of Nazim Hikmet&rsquo;s Poetry<\/strong>) <em>Do\u011fumunun Y&uuml;z&uuml;nc&uuml; Y\u0131l\u0131nda T&uuml;rk&ccedil;enin Yurtta\u015f\u0131 N&acirc;z\u0131m Hikmet.<\/em> <em>(Nazim Hikmet, the Citizen of Turkish on his Birth Centennial. Ankara University, T&ouml;mer Symposium Book of Proceedings<\/em>, Ankara, 24-25 October 2002. Ankara: T&ouml;mer Yay\u0131nlar\u0131, 2003: 110-114.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li>&ldquo;Pop&uuml;ler K&uuml;lt&uuml;r ve Medyada E\u015fcinselli\u011fin <em>&Ouml;teki <\/em>Olarak Sunumu,&rdquo; (<strong>Popular Culture <\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and the Presentation of Homosexuality as the <em>Other<\/em><\/strong>) <em>Kaos GL&nbsp; Symposium Book<\/em>, 23-<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24 May, Ankara: 2003: 74-75, 81-83.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"4\">\n<li>&ldquo;<strong>Rhetoric and\/as Terrorism: Before and After September 11<\/strong>.&rdquo; <em>PALA Conference by<\/em> <em>Poetics and Linguistics Association &amp; Bo\u011f<\/em><em>azi<\/em><em>&ccedil;<\/em><em>i University<\/em>. Other Panelists: Oral &Ccedil;al\u0131\u015flar, Matthew Gumpert, Bennet Lowenthal (Representative of the American Embassy), Mahmut Mutman (Bo\u011fazi&ccedil;i U.), Ferhat Boratav (CNN Turk News Director) &amp; Rana G&uuml;ven (NTV News Chief), 2001.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li>&ldquo;Son S&ouml;z \u0130ntihar: Nilg&uuml;n Marmara ve Sylvia Plath&rsquo;\u0131n \u015eiirleri&rdquo; (<strong>Final Word, Suicide: Poetry by Sylvia Plath &amp; Nilg&uuml;n Marmara<\/strong>) <em>Seminar on Women in Art, Ankara University, <\/em><em>Faculty of Language, History and Geography, Theatre Department, April 8, 1994. (Published in Journal of Theatre Research \/ Tiyatro Ara\u015ft\u0131rmalar\u0131 Dergisi<\/em>, 1994, No. 11.&nbsp;&nbsp; Ankara University Bas\u0131mevi, 1997: 41-59.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li>&ldquo;Nas\u0131l &Ccedil;evirsem de Kurams\u0131zl\u0131\u011f\u0131 Kurumsalla\u015ft\u0131rsam?&rdquo; (<strong>How to Translate to Institutionalize Translating Without Theories<\/strong>) Contemporary Translation Theories and Their Applications\/ &Ccedil;<em>a\u011fda\u015f &Ccedil;eviri Kuramlar\u0131 ve Uygulamalar\u0131<\/em><em>. Hacettepe University, Translation Studies Department, <\/em>Beytepe, Ankara. 12 April 1990. <em>Book of Proceedings <\/em>&nbsp;(12-13 April 1990). Hacettepe&nbsp; , Translation Studies Department, Beytepe, Ankara, 1991: 63-74.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>&ldquo;<strong>Sylvia Plath: Nosce Te!<\/strong>&rdquo; <em>American Studies Association (ASAT) Talk: Turkish-American Association, <\/em>29 April 1991.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"8\">\n<li>&ldquo;Kate Chopin&rsquo;in <em>Uyan\u0131\u015f<\/em>&rsquo;\u0131nda Bir Kad\u0131n Uyan\u0131yor, Uyar\u0131yor,&rdquo; (<strong>A Woman is Awakening, Warning in Kate Chopin&rsquo;s <\/strong><strong><em>The Awakening<\/em><\/strong>) <em>Hacettepe University, Department of American Culture and Literature, 1982. 10th Anniversary, Special Issue<\/em>. Ed. David Landrey. Ankara: Hacettepe University Yay\u0131nlar\u0131, 1992: 139-150.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"9\">\n<li>&ldquo;<strong>The Worlds Women Make: Two Swan Songs: Two Statements of the Finality and the Joy of Life in the Poetic Worlds of Sylvia Plath and Nilg&uuml;n Marmara<\/strong>.&rdquo; <em>Ege Bat\u0131 <\/em><\/li>\n<\/ol>\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dilleri ve Edebiyatlar\u0131 Dergisi.<\/em> Say\u0131 8. Y\u0131l 1991: 283-297.<\/p>\n<p><strong><em>&nbsp;<\/em><\/strong><\/p>\n<ol start=\"10\">\n<li>&#8220;1984, Orwell ve G&ouml;zalt\u0131 Toplumu,&#8221; (<strong>1984, Orwell &amp; the Survelliance Society<\/strong>) HALK<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TV, Y&uuml;ksek Adrenalin, 20 February 2014.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (TV talk: <a href=\"https:\/\/www.youtube.com\/watch?v=s-KkyUUOwq4\">https:\/\/www.youtube.com\/watch?v=s-KkyUUOwq4<\/a> )<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"11\">\n<li>Gezi Direni\u015fi &Uuml;zerine Akademisyenler Paneli. (<strong>Academics&rsquo; <\/strong><strong>Panel on the GEZI <\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Resistance<\/strong>) via the Journalists&rsquo; Foundation and Ayr\u0131nt\u0131 Publications,&nbsp; 25 January 2014.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Other publications:<\/strong><\/p>\n<p><strong><u>Poems, Letters, notes to editors:<\/u><\/strong><\/p>\n<p><strong><em>&nbsp; &#8211;<\/em><\/strong><em>Side by Side: New Poetry Inspired by Art from Around the World<\/em>, 2008<strong>.<\/strong>&nbsp; <strong>Notes to Editor Jan Greenberg<\/strong>. (In the introduction to the book acknowledgment present.)&nbsp;&nbsp;&nbsp;<\/p>\n<p><strong>&nbsp;&#8211; <\/strong>&ldquo;<strong>Two Leaves in Snow<\/strong>&rdquo;,<em> Side by Side: New Poetry Inspired by Art from Around the&nbsp;&nbsp; <\/em><\/p>\n<p>&nbsp;&nbsp; <em>World<\/em>. Ed. Jan Greenberg. New York: Abrams Book, 2008: 16.<\/p>\n<p>&#8211; <em>World<\/em> <em>Che Poems<\/em> <strong>Letters to the Editor Gavin O&rsquo; Toole<\/strong> 2007.<\/p>\n<p><strong><em>&#8211; Letters and notes to editor<\/em><\/strong> Naomi Shihab Nye, 1988<strong>&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n<p><strong>&#8211; <em>Letters and notes to editor<\/em><\/strong> Naomi Shihab Nye, 1992.<strong>&nbsp; <\/strong><\/p>\n<p><strong>&#8211; <\/strong>2 Translations from 2 Turkish poets: &ldquo;I&rsquo;m Some Water Whitening,&rdquo; by \u015e&uuml;kr&uuml; Erba\u015f &amp; &ldquo;In<\/p>\n<p><strong>&nbsp;&nbsp;&nbsp; <\/strong>Place of the End&rdquo; by \u0130lhan Berk.&nbsp; 1999.<\/p>\n<p>&#8211; 2 Photographs from Turkey. <em>Cardinal Sins<\/em>, Saginaw Valley State University, Fall 1999: 38,<\/p>\n<p>&nbsp;&nbsp; 40.<\/p>\n<p>-Translations of 2 poems by Salih Bolat: &ldquo;The Chase,&rdquo; ve &ldquo;Etching&rdquo; (with Michael Gurian)<\/p>\n<p><em>&nbsp; Reflection.&nbsp; <\/em>Seattle: Gonzaga UP., 1989: 16.<\/p>\n<p><strong><u>&nbsp;<\/u><\/strong><\/p>\n<p><strong>Papers Presented at International Events, abstracts published:<\/strong><\/p>\n<ul>\n<li><strong>&ldquo;<\/strong><strong>Like Turkeys Going For An Early Christmas:<\/strong><strong> popular precipices in the conspicuously invisible culture of obedience in today&rsquo;<\/strong><strong>s everyday life.&rdquo; <\/strong>ERPA International Congresses of Education, Budapeste, May 18-21, 2017.<\/li>\n<li>&ldquo;<strong>Epiphanies of Eco-Ececis Via Creative Thinking and Behaviour<\/strong>,&rdquo; <strong><em>Literature and Eco-Criticism. VIATALKS, 2017<\/em><\/strong>, Istanbul K&uuml;lt&uuml;r University. Istanbul, 30 March, 2017.<\/li>\n<li>&ldquo;<strong>Survival of the Pitieth: A Brief Discourse Analysis of the Canonized Auspicious-Others in American Literature and Film<\/strong>,&rdquo; 1<sup>st<\/sup> IBAD, International Scientific Researches Congress of Humanities and Social Sciences, Madrid, 2016. Book of Abstracts, p.406. <a href=\"http:\/\/www.ekitaprojesi.com\/books\/book-of-abstract-1st-international-scientific-researches-congress-humanity-an-social-sciences-ibad-2016\">http:\/\/www.ekitaprojesi.com\/books\/book-of-abstract-1st-international-scientific-researches-congress-humanity-an-social-sciences-ibad-2016<\/a><\/li>\n<li>&#8220;<strong>Cinderellas or Real Toads: External Indifference and Internal Difference in Creative Activities<\/strong>.&#8221; <em>Documentary Forum, BAU<\/em>, Faculty of Communication, Galata, Istanbul. April 26, 2014.<\/li>\n<li>&ldquo;<strong>Moby Dick Syndrome: Monomania &amp; Obsessive Compulsive Behaviour in the Famous Authoritative Personalities of Literature, Visual Popular Culture &amp; Politics to Become Apocryphal History<\/strong>,&#8221; 3rd International BAKEA Symposium of Western Cultural and Literature Studies. Gaziantep University &amp; Pamukkale University, Gaziantep, 9-11 October, 2013. Eradam, Yusuf. &#8220;Moby Dick Syndrome: Monomania and Obsessive Compulsive Behaviour in Literature&#8221;.<em>BAKEA: Bat\u0131 Edebiyat\u0131nda Tarih<\/em>. Ed. Zekiye Antakyal\u0131o\u011flu. Ankara: &Uuml;r&uuml;n Yay\u0131nlar\u0131, 2014: 535-545 ISBN: 978-605-4938-36-0<\/li>\n<li>&ldquo;<strong>Conspicuously Invisible: The Canonized Literary &amp; Visual American Strategies of Identity Formation, Exorcism &amp; Transformation<\/strong>.&rdquo; Annual Humanities Conference: Storytelling, Memories and Identity Constructions. Mexico City, 5 Nov., 2011.<\/li>\n<li>&ldquo;<strong>Conspicuously Invisible: American Strategies of Patternizing Human Behavior by Canonized Film, Literature and Popular Culture<\/strong>,&rdquo; <em>2012 EAAS (European Association of American Studies) Biennial Conference: The Health of the Nation. \u0130zmir, <\/em>31 March 2012.<\/li>\n<li>&ldquo;<strong>Pleasant Woe: Story Writing Process<\/strong>,&rdquo; Waltic: Swedish Writers&rsquo; and Translators International Conference with Bilgi University. , September 2,<\/li>\n<li>(Paper presented by invitation) &ldquo;<strong>Labour, Vanity &amp; Envy: Writer Translating \/ Translator Writing<\/strong>.&rdquo; Waltic: Swedish Writers&rsquo; and Translators International Conference<strong>.<\/strong> Stockholm, June 30.<\/li>\n<li>&ldquo;<strong>Bartleby Visiting Emily: The Inevitable Encounter of Two Artists in Defiance<\/strong>,&rdquo; <em>Emily Dickinson International Seminar (EDIS)<\/em>. Amherst, Massachusetts, August 1999. (Turkish of it published 3 times: 1. in Eradam&rsquo;s book: Bkz. <em>Z\u0131vanas\u0131z Denemeler<\/em>, in <em>\u015eiir At\u0131<\/em> (Poetry Horse) : Alk\u0131m, 2004, and in his book <em>A\u015fk Faili Me<\/em><em>&ccedil;hul Cani.<\/em> (Love, the Criminal Whose Creator&rsquo;s Unknown) \u0130zmir: \u015eenocak Yay\u0131nlar\u0131, 2007. This essay of Eradam&rsquo;s was also published in English &amp; Turkish in Eradam&rsquo;s bilingual book of the translation of <em>Bartleby, the Scrivener (Katip Bartleby<\/em>) Apollon, 2010: 149-158)<\/li>\n<li>&ldquo;<strong>The Impact of Popular Music on Eastern &amp; Southeastern Turkey: Ricky Martin in Mardin or Who Am I This Time?<\/strong>&rdquo; 7:30 pm, Rm 1636, Soc Wk Bldg, 764-0350. CMENAS: Ann Arbor University, Middle-Eastern Studies Department, 1999 Inaugration Talk with Eradam&rsquo;s photo slides from the South East of Turkey.) The University Record, 27 September, 1999.<\/li>\n<li>&ldquo;<strong>Turkish Short-Story<\/strong>,&rdquo; <em>\u0130ngiliz K&uuml;lt&uuml;r Heyeti, 25. Cambridge D&uuml;nya Yazarlar ve &Ccedil;evirmenler Semineri. <\/em>Downing College, Cambridge, \u0130ngiltere, July 1999. (Eradam represented Turkey in this seminar to which Salman Rushdie, Doris Lessing, Harold Pinter, Jackie Kay, George Steiner and many more were invited.)<\/li>\n<li>&ldquo;Vanilyal\u0131 \u0130deoloji: Amerikan Pop&uuml;ler \u0130mgeleri ve K&uuml;resel Bellek,&rdquo; (<strong>Vanilla Ideology: Popular American Images and Global Memory<\/strong>) <strong><em>K&uuml;reselle\u015fme ve Psikiyatri<\/em><\/strong><strong>: (Globalism and Psychiatry Congress):<\/strong> \u0130smet \u0130n&ouml;n&uuml; University, T\u0131p Fak&uuml;ltesi, Psikiyatri Anabilim Dal\u0131 ve <strong>T&uuml;rkiye Sosyal Psikiyatri Derne\u011fi Kongresi<\/strong>, Malatya, 11-14 June 2002. (Published in the 9th National Social Psychiatry Congress, Globalism and Psychiatry Congress Proceedings <strong><em> Ulusal Sosyal Psikiyatri Kongresi, K&uuml;reselle\u015fme ve Psikiyatri, Kongre Kitab\u0131<\/em><\/strong><em>.<\/em> \u0130smet \u0130n&ouml;n&uuml; University Publications, 2002: 283-298.<\/li>\n<li>&ldquo;<strong>The Love and Aggression Relationship Between the Outsider and the Intruder in David Mercer&rsquo;<\/strong><strong>s Schizogenic Families<\/strong>,&rdquo; <em>The Outsider: International Conference on<\/em> <em>the Outsider in Literature, Philosophy and the Visual Arts<\/em>. West Georgia College, Colony Square Hotel, Atlanta, Georgia, USA. 28-30 Oct., 1988.<\/li>\n<\/ul>\n<ol start=\"16\">\n<li>&ldquo;<strong>Arthur Miller Wrestles with the American Dream<\/strong>,&rdquo; <em>Amerikan Studies Conference, Ege <\/em><\/li>\n<\/ol>\n<p>&nbsp;&nbsp; <em>University, Edebiyat Fak&uuml;ltesi ve USIS<\/em>, Bornova, \u0130zmir, 23 May 1988. <em>Dil ve Tarih-Co\u011frafya&nbsp; <\/em><\/p>\n<p><em>&nbsp;&nbsp; Dergisi<\/em>. Ankara: Ankara University Publications, No. 1, 1992.<\/p>\n<ul>\n<li>&ldquo;<strong>Turkish Short Story Readings<\/strong>,&rdquo; <em>Drum Cultural Center<\/em>, Birmingham, England, UK, 2002. (Eradam was invited to read his stories by the Poet Laurate of the City of Birmingham.)<\/li>\n<li><em>&ldquo;<\/em><strong><em>Poetry Translation Event<\/em><\/strong><em>&rdquo;<\/em> <em>The British Council International Seminar<\/em><strong>.<\/strong> D&uuml;zenleyen. &Ouml;rs Turistik \u0130\u015f Merkezi, \u0130stiklal Caddesi 251-253. Galatasaray- 20-22 May 1993. Some of the other participants: Carol Ann Duffy (England&rsquo;s Poet Laurate), Susan Basnett, Michael Hulse, Michele Roberts, Can Y&uuml;cel, Cevat &Ccedil;apan, &Uuml;lker \u0130nce, Nedret Kuran, Cem Taylan.)<\/li>\n<\/ul>\n<ol start=\"19\">\n<li>&ldquo;<strong>Two Swan Songs: Two Statements of Finality and of the Joy of Life in the Poetic Worlds <\/strong><\/li>\n<\/ol>\n<p>&nbsp; <strong>of Sylvia Plath and Nilg&uuml;n Marmara<\/strong>,&rdquo; <em>The Worlds Women Make: &nbsp;the 15th Annual&nbsp;&nbsp;&nbsp; <\/em><\/p>\n<p><strong>&nbsp; <\/strong><em>American<\/em> <em>Studies Conference<\/em>. Nev\u015fehir, 24 November 1990.<\/p>\n<p><strong><u>&nbsp;<\/u><\/strong><\/p>\n<p><strong><u>&nbsp;<\/u><\/strong><\/p>\n<p><strong>ARTISTIC \/ CREATIVE BOOKS: Sanat-Edebiyat Kitaplar\u0131<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n<ol>\n<li><em>A\u015fk: Faili Me<\/em><em>&ccedil;hul Cani: Z\u0131vanas\u0131z Denemeler<\/em>. (<strong><em>Love: The Criminal Maker Unknown<\/em><\/strong>) Izmir: \u015eenocak Yay\u0131nlar\u0131,<strong> (essays)<\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"2\">\n<li><em>Musalla Ta\u015f\u0131 Sakinleri: Cihangirliler<\/em> (<strong><em>Plinth Dwellers of Cihangir<\/em><\/strong>) : Istanbul: K\u0131rm\u0131z\u0131 Korsan Yay\u0131nlar\u0131, <strong>2007<\/strong> (<strong>Photos by Eradam accompanied by his bilingual Haikus<\/strong>)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"3\">\n<li><em>Cihangir Vampiri<\/em>: (<strong><em>The Vampire of Cihangir<\/em><\/strong>) \u0130stanbul: Ayk\u0131r\u0131 Yay\u0131nlar\u0131, 2005. (<strong>Second Book of Short Stories<\/strong>)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"4\">\n<li><em>Z\u0131vanas\u0131z Denemeler<\/em>: (<strong><em>Unleashed Essays<\/em><\/strong>) Istanbul: Alk\u0131m Yay\u0131nevi, 2004. (<strong>Essays<\/strong>)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"5\">\n<li><strong><em>Ahk&acirc;m Vakti Tohumlar\u0131<\/em><\/strong>: (<strong><em>The Seeds of Provision Times<\/em><\/strong>) Istanbul: Okuyan-Us Yay\u0131nlar\u0131, 2001. (<strong>Second book of Poetry<\/strong>)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"6\">\n<li><em>Yamyam\u0131n Yemek Kitab\u0131<\/em><strong><em> (Cookbook for Cannibals<\/em><\/strong><em>)<\/em>: Okuyan-Us Yay\u0131nlar\u0131, 2001. (<strong>Satire<\/strong>)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"7\">\n<li><em>Kirli K\u0131<\/em><em>rlent: Latifeli &Ouml;<\/em><em>yk&uuml;ler<\/em><strong> (<\/strong><strong><em>Dirty Pillows Covers: Enigmatic Stories<\/em><\/strong><strong>)<\/strong>: E Yay\u0131nlar\u0131, 1999. (Short <strong>Stories)<\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"8\">\n<li><em>G&uuml;l Kanad\u0131 Duda\u011f\u0131m<\/em> (<strong><em>My Lips Bled Roses<\/em><\/strong>): E Yay\u0131nlar\u0131, 1994<em>.<\/em> (<strong>First Book of Poetry<\/strong>)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"9\">\n<li><em>Yabanc\u0131lar\u0131n Nezaketi: &Ouml;tekile\u015ftirmeye Kar\u015f\u0131 <\/em><em>Ger<\/em><em>&ccedil;ek Hayattan \u0130yilik, Karde\u015flik ve Dayan\u0131\u015f<\/em><em>ma &Ouml;<\/em><em>yk&uuml;leri<\/em><strong><em> (Kindness of Strangers: Real Life Stories of Goodness, Brotherhood &amp; Solidarity Against Othering) Partly Written, Compiled and Edited by Eradam <\/em><\/strong><em>: Istanbul: Yitik <\/em><em>&Uuml;lke Yay\u0131nlar\u0131, 2014 <\/em><\/li>\n<\/ol>\n<p><strong><em>&nbsp;<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>BOOKS TRANSLATED BY ERADAM: &Ccedil;evirdi\u011fi Kitaplar<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li>Richard Skinner, <strong><em>Kadife Bey<\/em><\/strong> (<strong><em>The Velvet Gentleman<\/em><\/strong>). Istanbul, Kara Plak Yay\u0131nlar\u0131, 2016.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><strong>Sylvia Plath, <em>ARIEL ve Di\u011fer \u015eiirler<\/em><\/strong>. (<strong><em>Ariel and Other Poems<\/em><\/strong>) \u0130stanbul: K\u0131rm\u0131z\u0131 2014, 2015.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li><strong>Anthony Storr, <em>Birba\u015f\u0131na<\/em><\/strong><em> <strong>(Solitude<\/strong>)<\/em> (with Misbah E. \u015eeng&uuml;l), Istanbul: Apollon, 2011<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li><strong>Herman Melville, <em>Katip Bartleby<\/em>.<\/strong> (<strong><em>Bartleby, the Scrivener<\/em><\/strong>). (A Bilingual publication with Eradam&rsquo;s Foreword and Creative essay titled &lsquo;Bartleby Visiting Emily&rsquo;.): Apollon Yay\u0131nevi, 2009.<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Herman Melville, <strong>Katip Bartleby.<\/strong>&nbsp; (<strong><em>Bartleby, the Scrivener<\/em><\/strong>) Ankara: Dost&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yay\u0131nlar\u0131, 2000.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Herman Melville, <strong><em>Katip Bartleby<\/em><\/strong>. (<strong><em>Bartleby, the Scrivener<\/em><\/strong>) Istanbul: Nora Kitap, Ekim 2017.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li><strong>Glen O. Gabbard, and Krin Gabbard, <em>Psikiyatri ve Sinema<\/em><\/strong>. <strong>(<\/strong><strong><em>Psychiatry and the Cinema<\/em><\/strong><em>)<\/em>. (With Hasan Sat\u0131lm\u0131\u015fo\u011flu): Okuyan-Us Publications, 2003.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li><strong>Sylvia Plath, <em>Ariel<\/em><\/strong>. Ankara: Imge Kitabevi, 1997.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li><strong>Okot p&rsquo;Bitek, <em>Lawino&rsquo;nun T&uuml;rk&uuml;s&uuml;<\/em><\/strong>. (<strong><em>Lawino&rsquo;s Song<\/em><\/strong>) (With G&uuml;ler Siper) Ankara: Imge Kitabevi, 1996.<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<ol start=\"8\">\n<li><strong>Paul Auster, <em>Cam Kent<\/em><\/strong>. (<strong><em>City of Glass<\/em>, <\/strong><strong><em>The New York Trilogly; Book I<\/em><\/strong><em>)<\/em> : Metis<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yay\u0131nlar\u0131, 1991.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<ol start=\"9\">\n<li><strong>Paul Auster, <em>Kilitli Oda<\/em><\/strong>. (<em>The Locked Room<\/em>, <em>The New York Trilogy, Book III)<\/em>: Metis Yay\u0131nlar\u0131,<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1991.)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Edited Book translations: Yay\u0131na Haz\u0131rlad\u0131\u011f\u0131 Kitaplar<\/strong><\/p>\n<p><strong><em>&nbsp;<\/em><\/strong><\/p>\n<ol>\n<li><strong><em>Nagan, Greg. <\/em><\/strong><em>Sallama Klasikler<\/em><strong><em> (The Five Minute Iliad, and Other Instant Classics)<\/em><\/strong>: Okuyan-Us Yay\u0131nlar\u0131. August 2004.<\/li>\n<li>Huntington, S. <em>Medeniyetler &Ccedil;at\u0131\u015fmas\u0131<\/em> (<strong><em>The Clash of Civilizations<\/em><\/strong>): Okuyan-Us, 2002.<\/li>\n<li>G&uuml;lseren Tu\u011fcu Karabulut, <strong><em>Bir Gamze, Bir Ku\u015ft&uuml;y&uuml; Yast\u0131k<\/em><\/strong>: Okuyan-Us Yay\u0131nlar\u0131. 2001. (<strong>The only short story collection of a late woman author<\/strong>.)<\/li>\n<li>Angelou, Maya. <em>Kad\u0131n Kalbi<\/em> (<strong><em>The Heart of a Woman<\/em><\/strong>). Ankara: \u0130mge, 1996.<\/li>\n<li><em>Vineland Sagalar\u0131<\/em> (<strong><em>Vineland<\/em><\/strong><em>)<\/em> Ankara: Imge, 1996.<\/li>\n<li>Francine du Plessix Gray, <em>A\u015f\u0131klar ve Zorbalar<\/em> (<strong><em>Lovers and Tyrants<\/em><\/strong>) Ankara: Imge, 1995.<\/li>\n<li>John Gray,<em> Alexandre Tekni\u011fi Rehberiniz<\/em> (<strong><em>Your Guide to Alexandrian Technique<\/em><\/strong>) Ankara: Imge, 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Article Translations: Makale &Ccedil;evirileri<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Raymond Federman, (<strong>Reality Begins Where the Show Ends<\/strong>) &ldquo;G&ouml;sterinin Bitti\u011fi Yerde Ba\u015flar<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ger&ccedil;ek,&rdquo; <em>Kuram<\/em>, <em>Kitap<\/em>. May 1995.&nbsp; 57-58.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Frederick Turner, &ldquo;&Ccedil;eviri &Uuml;st&uuml;ne,&rdquo; (<strong>On Translation<\/strong>) <em>Metis &Ccedil;eviri<\/em> 4. Summer 1988. 26-28.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -Howard Woolf, &ldquo;Yazar ve Ku\u015fa\u011f\u0131,&rdquo; (<strong>The Writer and His Generation<\/strong>) <em>Olu\u015fum<\/em>. Summer 1988.&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43-45.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Chapters in Books<\/em><\/strong><strong>:&nbsp; &Ccedil;e\u015fitli Kitaplarda B&ouml;l&uuml;mler<\/strong><\/p>\n<ol>\n<li>&#8220;A\u011fa&ccedil;, Cop, Penis: \u0130nsan, \u015eiddet ve Devlete \u0130taat K&uuml;lt&uuml;r&uuml;ne dair Gezi \u0130syan\u0131 Tezlerim,&#8221; (<strong>Tree, Baton, Penis: Gezi Park Theses on Humanity, Violence and on the Culture of Obedience to the State<\/strong>) Ayr\u0131nt\u0131 Yay\u0131nlar\u0131, 2013: 171-181.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"2\">\n<li>&ldquo;D&uuml;nya Edebiyat\u0131 ve T&uuml;rkiye Sinemas\u0131nda Yaln\u0131z &Ccedil;elebi Arketipi ve <em>Yeralt\u0131<\/em>,&rdquo; (<strong>Solitary Bartlebies in World Literature and Turkish Cinema &amp; the movie <em>Underground <\/em><\/strong><em>by Zeki Demirkubuz<\/em>) <strong><em>&#8230;<\/em><\/strong><em>VE Sinema:<\/em> <em>Sinema ve Di\u011fer Disiplinler<\/em>. (&hellip;And Cinema &amp; Other Disciplines) Akdeniz University. Ed. G&uuml;l Ya\u015fart&uuml;rk. 2013: 85-118.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li>&ldquo;Cennet Mek&acirc;n Panopticon: D&uuml;nya Sinemas\u0131nda LGBT Bellek &Ouml;r&uuml;nt&uuml;leri, Kli\u015feleri ve<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Homofobinin Beslenme &Ccedil;antas\u0131&rdquo;. (<strong>Heaven-Haven Panopticon: LGBT Memory Patterns,<\/strong><\/p>\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp; Clich<\/strong><strong>&eacute;<\/strong><strong>s and the Lunchbox of Homophobia in World Cinema<\/strong>) <em>Anti-Homofobi Kitab\u0131 3<\/em>.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp; (<em>Book of Anti-Homophobia 3<\/em>) Ankara: Kaos GL Yay\u0131nlar\u0131, October 2011: 129-152.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li>&ldquo;<strong>Spring: When Judas Flowers Fall onto the Road<\/strong>,&rdquo; <em>Istanbul in<\/em> <em>Four Seasons from 1000 Feet: Photography by Alp Alper<\/em>, Promat Bas\u0131m Yay\u0131n, 2010: 12-16.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li>&ldquo;\u0130lkbahar: Yola D&uuml;\u015f&uuml;nce Erguvanlar,&rdquo; in <em>Four Seasons Istanbul from 1000 Feet: Photography by Alp Alper<\/em>, Promat Bas\u0131m Yay\u0131n, 2010: 12-16.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li>P&uuml;rnur U&ccedil;ar-&Ouml;zbirinci, &ldquo;<strong>Interview with Yusuf Eradam<\/strong>,&rdquo;<em>K&uuml;lt&uuml;rleraras\u0131 Tiyatro &Uuml;zerine S&ouml;yle\u015filer<\/em>. Ankara: TOBAV Yay\u0131nlar\u0131, 2010: 49-53.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>&ldquo;Thespis&rsquo;in Delileri: Tiyatroda Tek Etki,&rdquo; (<strong>Madman of Thespis: Totality in Effect in Theatres in Istanbul<\/strong>) <em>T&uuml;rkiye&rsquo;de Tiyatronun Yolculu\u011fu: Sevda \u015eener&rsquo;e Arma\u011fan. <\/em>(Ed. S&uuml;reyya Karacabey) Ankara: Ankara University Yay\u0131nlar\u0131, July 2010: 192-204.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong><em>Az\u0131c\u0131k Cihangir: Cihangir Kitab\u0131<\/em><\/strong>. (<strong><em>A Little Cihangir<\/em><\/strong> by Haydar Erg&uuml;len, some 30 pages written by Eradam together with many of his photos of Istanbul in this <em>My Istanbul<\/em> project due to 2010, European Capital) Istanbul: Heyamola Yay\u0131nlar\u0131, 2009:180-191. Ikinci bask\u0131, 2010: 209-229.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol start=\"9\">\n<li>&ldquo;Fear Factor ya da Homofobinin Ecele Faydas\u0131,&rdquo; (<strong>Fear-Factor or The Use of Homophobia Against Death<\/strong>,) &ldquo;<em>Anti-Homofobi Kitab\u0131: Uluslararas\u0131 Homofobi Kar\u015f\u0131t\u0131 Bulu\u015fma.<\/em> <em>Kaos GL Yay\u0131nlar\u0131<\/em>, 2009: 136-140.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"10\">\n<li>&ldquo;K&uuml;lt Kentler, \u0130konlar\u0131 ve Bodyguard&rsquo;lar\u0131: Istanbul-New York,&ldquo; (<strong>Cult Cities, Icons &amp; Bodyguards: Istanbul-New York<\/strong>) Ankara-Washington D.C.&rdquo; <em>\u0130ki \u015eehrin Hikayesi: Ankara- Washington D.C. &Ccedil;at\u0131\u015fmas\u0131<\/em>. Ed. Seyfi &Ouml;ngider. \u0130stanbul: Ayk\u0131r\u0131 Yay\u0131n, 2004.<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;<\/p>\n<ol start=\"11\">\n<li>&ldquo;Kesin Belkiler: ABD Eksenli K&uuml;resel Belle\u011fe Do\u011fru Masal, S&ouml;ylen ve S&ouml;ylencelere \u0130li\u015fkin Bir Deneme,&rdquo; (<strong>Absolute Maybes: An Essay on the Myths, Legends &amp; Tales Towards an USA-Centered Global Memory<\/strong>) <em>Do\u011fu-Bat\u0131 K\u0131skac\u0131nda T&uuml;rkiye<\/em>. Seyfi &Ouml;ngider: Ayk\u0131r\u0131 G&uuml;ncel, 2004: 205- 231.<\/li>\n<\/ol>\n<p><em>&nbsp;<\/em><\/p>\n<ol start=\"12\">\n<li><em>&Ccedil;a\u011fda\u015f D&uuml;nya Edebiyat\u0131 &Ccedil;eviri Se&ccedil;kisi<\/em>. (<strong>Contemporary World Poetry Anthology<\/strong>)<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Haz\u0131rlayan: G&uuml;rsel Ayta&ccedil;. T.C. K&uuml;lt&uuml;r Bakanl\u0131\u011f\u0131 Yay\u0131nlar\u0131 \/ 2324, D&uuml;nya Edebiyat\u0131<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eserleri Dizisi \/ 33. Ankara, 1999: 67-93.<\/p>\n<p><em>&nbsp;<\/em><\/p>\n<ol start=\"13\">\n<li><em>\u015eiir Demeti: 100 &Uuml;lkeden &Ccedil;ocuk \u015eiirleri,<\/em> (<strong><em>Poetry for Children from 100 Countries<\/em><\/strong>) Derleyen: Samir K. Ta\u011fizade. Ankara: T&Uuml;RKSAV., 1998. (<strong>Translations of 33 poems by Eradam<\/strong>.)<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp; <\/strong><\/p>\n<p><strong>Other Publications \/ Articles &amp; Essays in National Media <\/strong><\/p>\n<p><strong>Ulusal Medyada yay\u0131nlanm\u0131\u015f yaz\u0131lar\u0131<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li><strong>37 essays on &ldquo;<\/strong><strong>Culture of Obedience&rdquo; <\/strong><strong>in his column Joseph&rsquo;<\/strong><strong>s Eyes in the online independent daily <em>T24<\/em>: &ldquo;Yusuf&rsquo;<\/strong><strong>un G<\/strong><strong>&ouml;zleri&rdquo; <\/strong>s&uuml;tun ba\u015fl\u0131\u011f\u0131 alt\u0131nda<strong> <em>T24 ba\u011f\u0131ms\u0131z internet gazetesi<\/em><\/strong>nde 20.09.2010 tarihinden itibaren<strong> toplam 37 yaz\u0131: <\/strong>www.T24.com.tr<\/li>\n<\/ol>\n<p><a href=\"http:\/\/www.t24.com.tr\/yusuf-eradam\/kose-yazisi.aspx?author=64\">http:\/\/www.t24.com.tr\/yusuf-eradam\/kose-yazisi.aspx?author=64<\/a><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li>&ldquo;G&uuml;lten Ak\u0131n ve Hayata Sadakat,&rdquo; (<strong>G&uuml;<\/strong><strong>lten Ak\u0131n&rsquo;<\/strong><strong>s Poetry and Loyalty to Life<\/strong>) <em>Lacivert<\/em>, Y\u0131l 13, Say\u0131 75, May\u0131s-Haziran 2017: 83-89.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li>&ldquo;Bizi Yaratan Shakespeare,&rdquo; (<strong>We Are Created by Shakespeare<\/strong>) <em>TEB OYUN<\/em>, K\u0131\u015f. Ocak-\u015eubat 2017: 46-51<\/li>\n<li>Isabelle Huppert, &ldquo;27 Mart 2017: D&uuml;nya Tiyatro G&uuml;n&uuml; Uluslararas\u0131 Bildiri,&rdquo; (<strong>World Theatre Day Declaration, translated by Eradam From its French original <\/strong>\/ Frans\u0131zca asl\u0131ndan &ccedil;eviren Yusuf Eradam, <em>TEB OYUN<\/em>, Say\u0131 33. Bahar, 2017: 93-95.<\/li>\n<li>&ldquo;I\u015f\u0131k Ald\u0131,&rdquo; <strong>(&ldquo;Light Took It,&rdquo; A poem by Eradam<\/strong> in the 2017 Contemporary Poets Annual) <em>&Ccedil;a\u011fda\u015f \u015eairler Y\u0131ll\u0131\u011f\u0131<\/em>. Ed. Halil G&ouml;khan. Ocak 2017: 67-72.<\/li>\n<li>&ldquo;Halla&ccedil; Pamu\u011fu,&rdquo; (<strong>Putting to Rout<\/strong>) <em>\u0130KU, Herkese Bilim Teknoloji<\/em>, Say\u0131 18, 15 Temmuz 2016: 17.<\/li>\n<li>&ldquo;Kaplumba\u011fa Efsuncusu,&rdquo; (<strong>Tortoise Charmer<\/strong>) <em>\u0130KU, Herkese Bilim Teknoloji<\/em>, Say\u0131 22, 26 A\u011fustos, 2016: 17<\/li>\n<li>&ldquo;H&uuml;zn-&uuml; Yusuf: Se&ccedil;me Haikular,&rdquo; (<strong>Joseph in Blues<\/strong>) <em>Kurgu<\/em>. Say\u0131 15, Temmuz-A\u011fustos-Eyl&uuml;l 2015: 75-77.<\/li>\n<li>&ldquo;La&ccedil;in Ceylan: Gece G&uuml;nd&uuml;z Y&uuml;r&uuml;yen Kad\u0131n.&rdquo; (<strong>La<\/strong><strong>&ccedil;<\/strong><strong>in Ceylan: The Woman Who Walks Day &amp; Night<\/strong>) <em>PsikeSinema<\/em>, Say\u0131 2. 2015: 32-33.<\/li>\n<li>&ldquo;&Ccedil;ifte Kavrulmu\u015f Sarmal: Sinema ve \u0130kiz Kuleler,&rdquo; (<strong>Double Winding &amp; Burning Up: Cinema &amp; the Twin Towers<\/strong> (<em>PsikeSinema<\/em>. Say\u0131.1, October 2015: 110-121.<\/li>\n<li>&ldquo;Tercih Etmemeyi Tercih Ediyorum,&rdquo; (<strong>I Prefer Not Prefering<\/strong>) <em>PsikeArt<\/em>. September 2015.<\/li>\n<li>&#8220;Moda Sahnesi ve Hamlet Olmu\u015f!&#8221; (<strong>Moda Stage<\/strong> &amp; <strong>This <em>Hamlet<\/em><\/strong><strong> Is Well-Done<\/strong>!) <strong><em>Tiyatro Tiyatro<\/em><\/strong>. June-July, 2014.<\/li>\n<li>&#8220;Bana Maruz Kalmak En Do\u011fal Hakk\u0131n\u0131zd\u0131r! Ya da Rit&uuml;el &amp; G&ouml;steri S&ouml;ylemleri ile Ahl&acirc;k &Uuml;zerine Tezlerim.&#8221; (&ldquo;<strong>You Have Every Right To Be Subjected To Me!&rdquo;<\/strong><strong>: My Theses on the Discourse of Rituals, Performance &amp; Morality<\/strong>) <strong>&nbsp;<em>Oyun Dergisi<\/em>.&nbsp; <\/strong>March-April, 2014: 71-76.<\/li>\n<li>&#8220;Woolf ve Fallomorfik \u0130nsaniyet,&#8221; (<strong>V<\/strong>. <strong>Woolf and Phallomorphic Kindness<\/strong>) <strong>Notos <\/strong><em>Edebiyat Dergisi<\/em>, Say\u0131 December-January, 2013-2014: 108-111.<\/li>\n<li>&#8220;Zalimin Zulm&uuml; Varsa: &Uuml;&ccedil; Oyun \u0130ncelemesi,&#8221; (<strong>When the Tyrant Is Supposed to be Cruel: Analysis of Three Plays<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 2014: 28-32.<\/li>\n<li>&#8220;Parmak U&ccedil;lar\u0131mdaki Kral Kelebekleri,&#8221; (<strong>The Royal Butterflies on My Fingertips<\/strong>) Dosya: Edebiyat\u0131n Gelece\u011fi, (<strong>File topic of this Issue: The Future of Literature<\/strong>) <em>Lacivert<\/em>. Say\u0131 November-December, 2014: 86-90.<\/li>\n<li>&ldquo;\u0130z: Ac\u0131 Lokum,&rdquo; (<strong><em>Bitter Delights: Analysis of the play<\/em><\/strong> <strong>Mark<\/strong>) <em>Tiyatro Tiyatro<\/em>, Say\u0131 May 2013. 30-32.<\/li>\n<li>&ldquo;Dil Yontusu: Edebiyat ve Plastisite,&rdquo; (<strong>Language Statue: Literature &amp; Plasticity<\/strong>) <em>Varl\u0131k Dergisi<\/em>. August 2012.<\/li>\n<li>&ldquo;Jean Genet ve Absurd Tiyatro,&rdquo; (<strong>Jean Genet &amp;<\/strong> <strong>the Theatre of the Absurd<\/strong>) <em>Tiyatro Tiyatro<\/em>, Say\u0131 240. August 2012.<\/li>\n<li>&ldquo;B&uuml;y&uuml;c&uuml; \u015eahika&rsquo;dan Beckett&rsquo;e Oyun,&rdquo; (<strong><em>Beckett&rsquo;s <\/em><\/strong><strong>Endgame<em> by Wizard <\/em><em>\u015eahika<\/em><\/strong>) <em>Tiyatro Tiyatro<\/em>, Say\u0131 June 2012. 6-8.<\/li>\n<li>&ldquo;Evet, Hamlet T&uuml;rkiye&rsquo;dir! (<strong><em>Yes, <\/em>Hamlet Is <em>Turkey!<\/em><\/strong>) <em>Tiyatro Tiyatro<\/em>, Say\u0131 June 2012. 22-25.<\/li>\n<li>&ldquo;\u015eair Ye\u015fim Salman,&rdquo; (<strong>Poet Ye\u015fim Salman<\/strong>) <em>&Ccedil;.N<\/em>. (<em>&Ccedil;evirmenin Notu: &Ccedil;eviri Edebiyat\u0131<\/em>) May-June 2012. 102-111.<\/li>\n<li>&ldquo;Antonius ve Kleopatra Susunca,&rdquo; (<strong>When Antonius &amp; Cleopatra Hush<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 May 2012. 28-31.<\/li>\n<li>&ldquo;S\u0131n\u0131rlar, Marjinler ve <em>Zenne<\/em>,&rdquo; (<strong>Limits, Margins &amp; <\/strong><strong><em>Zenne<\/em><\/strong><strong>, the movie<\/strong>) <em>KaosGL<\/em>, May 2012: 38-41.<\/li>\n<li>&ldquo;Karikat&uuml;r Gibi,&rdquo; (<strong>Like a Cartoon<\/strong>) <strong><em>Kum<\/em><\/strong>. Say\u0131 January-February, 2012: 4-13.<\/li>\n<li>&ldquo;Promete&rsquo;ye Labirent: Studio Oyuncular\u0131 ve 10 Ad\u0131mda Unutmak,&rdquo; (<strong>Labyrinth for Prometheus: Studio Actors &amp; Oblivion in 10 Steps<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 235, March 2012: 36-40.<\/li>\n<li>&ldquo;Be\u015fikten M&uuml;zeye Fa\u015fizm,&rdquo; (<strong>Fascism from Cradle to the Museum<\/strong>) <em>Kum<\/em>. Say\u0131 64. 2011: 59-62.<\/li>\n<li>&ldquo;Yaln\u0131z Bat\u0131,&rdquo; (<strong>Lonely West<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 232. November-December 2011: 14-16.<\/li>\n<li>&ldquo;Don Juan&rsquo;\u0131n Gecesi,&rdquo; (<strong>The Don Juan Night<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 231. November 2011: 24-27.<\/li>\n<li>&ldquo;Thanatopsis: &Ouml;l&uuml;me Dair,&rdquo; (<strong>Thanatopsis: Essay on Death<\/strong>) <em>Kum<\/em>. Say\u0131 October 2011<strong>:<\/strong> 4-18., 84.<\/li>\n<li>&ldquo;Kahkahadan Kanat Yapar Emily,&rdquo; (<strong>Emily Makes Wings Out of Laughter \/ Book Review of Emily Dickinson&rsquo;<\/strong><strong>s Poetry in Turkish<\/strong>) <em>\u0130ktisat ve Toplum<\/em>. Ankara: Efil Yay\u0131nevi, Say\u0131 11. September 2011: 90-91. &ldquo;Kahkahadan Kanat Yapar Emily,&rdquo; <strong><em>Milliyet Sanat<\/em><\/strong>, September 2009:&nbsp;<\/li>\n<li>&ldquo;Hamlet T&uuml;rkiye Midir?&rdquo; (<strong>Is <em>Hamlet <\/em>Turkey?)<\/strong> <em>Tiyatro Tiyatro<\/em>. Say\u0131 July 2011: 25-29.<\/li>\n<li>&ldquo;\u015eiir &Ccedil;evirisi &Uuml;&rdquo; (<strong>On Poetry Translation<\/strong>) <em>Lacivert<\/em>. Say\u0131 40. July-August 2011<strong>: <\/strong>75-81.<\/li>\n<li>&ldquo;Kad\u0131nlar Yine Uyar\u0131yor: <em>Vakit Tamam Beyler<\/em>!&rdquo; (<strong>Women Are Warning Again: Time Is Up&nbsp;&nbsp; Guys!<\/strong>) <em>Tiyatro Tiyatro<\/em>. February 2010: 38-40.<\/li>\n<li>&ldquo;Bu Saati Ben Kurmad\u0131m: Bug&uuml;n\/Hi&ccedil;bir \u015eey,&rdquo; (<strong>I Didn&rsquo;<\/strong><strong>t Wind This Clock: Today \/ Nothing<\/strong>) <em>Tiyatro Tiyatro<\/em>. February 2010: 10-12.<\/li>\n<li>&ldquo;M&uuml;thi\u015f Oliver!&rdquo; (<strong>The Amazing Oliver<\/strong>! \/ On the Oliver Twist musical in Istanbul) <em>Radikal \u0130ki<\/em>, 17 January 2010.<\/li>\n<li>&ldquo;A\u011fa&ccedil; Kabuklar\u0131,&rdquo; (<strong>A Radio Play by Emre &Ouml;z&uuml;nl&uuml;<\/strong> of Eradam&rsquo;s short story &ldquo;Latife \u0130di, Yapard\u0131,&rdquo; TRT, Radio 2.<\/li>\n<li>&ldquo;<strong>Freedom&rsquo;<\/strong><strong>s Hands: The Poetry of Oktay Rifat,&rdquo;<\/strong> <em>Turkish Book Review<\/em>. No. 5. July-December, 2009: 29-32.<\/li>\n<li>&ldquo;<strong>The Lale M&uuml;ld&uuml;<\/strong><strong>r: Unleashed Poetry of a Released Woman,&rdquo;<\/strong> <em>Turkish Book Review<\/em>, No. 4. January-June 2009: 61-64.<\/li>\n<li>&ldquo;Cam Tavan Sendromu: Karanl\u0131k Korkusu&rdquo; (<strong>Glass Ceiling Syndrome: Fear of Darkness<\/strong>) <em>Radikal \u0130ki<\/em>, 5 April 2009.<\/li>\n<li>&ldquo;Katip Uykudan Uyanm\u0131\u015f,&rdquo; (<strong>Bartleby&rsquo;s Awakening<\/strong>) (Foreword to Eradam&rsquo;s own translation of Herman Melville&rsquo;s <em>Bartleby, the Scrivener<\/em>). : Apollon Yay\u0131nlar\u0131, 2009: 7-16.<\/li>\n<li>&ldquo;I\u015f\u0131k Maskeler, Top Oyalar, Kedi Duyar,&rdquo; (<strong>Light Masks, Ball Tarries, Cat Hears<\/strong>) <em>Radikal \u0130ki<\/em>, 5 April 2009.<\/li>\n<li>&ldquo;Tiyatroda Tek Etki ve Disiplin: \u015eahika Tekand ve Studio Oyuncular\u0131,&rdquo; (<strong>Totality in Effect in Theatre and Discipline: \u015e<\/strong><strong>ahika Tekand &amp; Studio Actors<\/strong>) January-June <strong>2009<\/strong>: 104-107.<\/li>\n<li>&ldquo;Torbal\u0131 Hamfendi&rsquo;nin Ser&uuml;veni,&rdquo; (<strong>The Story of My Poem titled &ldquo;<\/strong><strong>A Brief Note to the Bag Lady<\/strong>&rdquo; and how it got translated into Turkish, Kurdish &amp; Polish) <strong><em>&Ccedil;.N.<\/em><\/strong> Say\u0131 8. 2009: 76-92.<\/li>\n<li>&ldquo;Pop&uuml;ler U&ccedil;urumlar,&rdquo; (<strong>Popular Precipices<\/strong>) <strong><em>Radikal \u0130ki<\/em><\/strong>. 1 February 2009.<\/li>\n<li>&ldquo;Mutluluk Bula\u015f\u0131c\u0131d\u0131r ve So\u011fan Kokar&rdquo; (<strong>Happiness is Contagious &amp; Smells Onion<\/strong>) <strong><em>Milliyet <\/em><\/strong><\/li>\n<li><strong><em>Sanat<\/em><\/strong>, Say\u0131 603. June 2009: 24-25.<\/li>\n<li>&ldquo;Macide Tan\u0131r Sahnesi,&rdquo; (<strong>The New Theatre Stage Named After the late Actress Macide Tan\u0131r<\/strong>) <em>Radikal \u0130ki<\/em>, 29 March 2009.<\/li>\n<li>&ldquo;Marks, Genco Erkal ile D&ouml;nd&uuml;&rdquo; (<strong>Marx Is Back With Genco Erkal<\/strong>) <em>Radikal \u0130ki<\/em>, 15 March 2009.<\/li>\n<li>&ldquo;Jean Moreau&rsquo;ya Sayg\u0131,&rdquo; (<strong>Tribute to Jean Moreau<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 205, September 2009: 13-15.<\/li>\n<li>&ldquo;Ne Dermi\u015f Azizim,&rdquo; (<strong>What Does Aziz Say<\/strong>?) <em>Tiyatro Tiyatro<\/em>. Say\u0131 April 2009.<\/li>\n<li>&ldquo;\u0130ki Kalas Bir Heves: Y\u0131l Sonu \u0130zlenimleri,&rdquo; (<strong>Extravagant Expectations<\/strong>: <strong>End of Season Impressions<\/strong>) <em>Tiyatro Tiyatro<\/em>. December 2008.<\/li>\n<li>&ldquo;Dengeli Tasarruf Ba\u015fyap\u0131t\u0131: <em>\u0130ki Efendi ve U\u015fa\u011f\u0131<\/em>&rdquo; (<strong>Balanced Economy Masterpiece: Goldoni&rsquo;<\/strong><strong>s Servant of Two Masters<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 February <em>Tiyatro Tiyatro<\/em>. Say\u0131 2008: 40-41.<\/li>\n<li>&ldquo;<strong>Humor in Can Y&uuml;cel&rsquo;<\/strong><strong>s Poetry<\/strong>,&rdquo; <em>Turkish Book Review<\/em>. No.02. January-June 2008:55-58.<\/li>\n<li>&ldquo;H&uuml;crekent ve Mutlak Yaln\u0131zl\u0131k,&rdquo; (<strong>CellCity &amp; Absolute Loneliness<\/strong>) <strong><em>Milliyet Sanat<\/em><\/strong>, Say\u0131 587, February 2008: 30-32.<\/li>\n<li>&ldquo;Tiyatro Unutu\u015fa Direnmeli, Gelece\u011fe Ar\u015fiv Olu\u015fturmal\u0131d\u0131r: Sivas &rsquo;93: Tarihsel An\u0131msatma,&rdquo; (<strong>Theatre Must Stand against Oblivion, Must Produce an Archive for the Future: Sivas &rsquo;<\/strong><strong>93: Historical Reminder<\/strong>), <em>Tiyatro Tiyatro.<\/em> Say\u0131 187, March 2008: 10.<\/li>\n<li>&ldquo;Vasat\u0131n K&uuml;lt&uuml;r&uuml;,&rdquo; (<strong>Culture of Mediocrity<\/strong>) <em>Milliyet Sanat<\/em>, Say\u0131 590. May 2008. 46-48.<\/li>\n<li>&ldquo;Her Devrin K&ouml;t&uuml;s&uuml; Caligula,&rdquo; (<strong>The Villain for All Seasons: Caligula<\/strong>) <em>Radikal \u0130ki<\/em>. 11. 5. 2008.<\/li>\n<li>&ldquo;Caligula: Zorban\u0131n S&ouml;ylemi,&rdquo; (<strong>Caligula: The Discourse of the Tyrant<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 May 2008.<\/li>\n<li>&ldquo;\u0130nsan Kendini Ar\u0131yor: Tiyatro Festivali 2008 Notlar\u0131,&rdquo; (<strong>In Quest of Man Himself: Theatre Festival 2008<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131.190, June 2008:15-19.<\/li>\n<li>&ldquo;&Ccedil;\u0131t K\u0131r\u0131lma Noktas\u0131 ve Tennessee Williams,&rdquo; (<strong>Breaking Points &amp; Tennessee Williams&rsquo;s <\/strong><strong><em>A Streetcar Named Desire<\/em><\/strong>) <em>Arzu Tramvay\u0131<\/em> (Oyun Kitap&ccedil;\u0131\u011f\u0131) Ankara University, DTCF, Tiyatro B&ouml;l&uuml;m&uuml; Yay\u0131n\u0131, June, 2008: 5-11. &ldquo;Tennessee Williams ve &Ccedil;\u0131tk\u0131r\u0131lma Noktas\u0131,&rdquo; <em>Kaos GL Dergisi<\/em>, Say\u0131 7, Bahar 2001.<\/li>\n<li>&ldquo;<strong>G&uuml;<\/strong><strong>lten Ak\u0131<\/strong><strong>n: The Kybele of Modern Turkish Poetry<\/strong>,&rdquo; <em>Turkish Book Review<\/em>, no.03. July-December, 2008: 86-90.<\/li>\n<li>&ldquo;Islak Mayolu At\u0131klar ve Y&uuml;zevurumculuk,&rdquo; (<strong>WetSwimSuited Wastes &amp; In Yer Face Theatre<\/strong>) <em>Milliyet Sanat<\/em>. Say\u0131 594. September 2008: 42-43.<\/li>\n<li>&ldquo;Dilsiz Ku\u011fular: Alvin Ailey Dans Grubu &rsquo;da,&rdquo; (<strong>Mute Swans: Alvin Ailey Dance Group<\/strong>) <em>Radikal \u0130ki<\/em>, 14 September 2008: 11.&nbsp;<\/li>\n<li>&ldquo;\u015eifa Tas\u0131 Sezen Aksu Bu Kez Darussafaka&rsquo;da,&rdquo; (<strong>Sezen Aksu, The<\/strong> <strong>Healing Bowl: The Turkish-Popular-Music Queen Singing for Orphans<\/strong>) <em>Radikal \u0130ki<\/em>, 23 November 2008: 10.<\/li>\n<li>&ldquo;Bienaldeki Teatral Uzamlar,&rdquo; (<strong>Theatrical Spaces in the Biannial<\/strong>) <em>Tiyatro Tiyatro<\/em>, Say\u0131 October 2007.<\/li>\n<li>&ldquo;Akademisyenlerin Dili &Ccedil;&ouml;z&uuml;ld&uuml;&rdquo; (Dilimizdeki Bozulmaya \u0130li\u015fkin Soru\u015fturmaya Yan\u0131t). (The <strong>Language of Academicians: Corruption in Everyday Language<\/strong>) <em>Milliyet Sanat<\/em>. Say\u0131 582, September 2007: 99-100.<\/li>\n<li>&ldquo;Garajdaki Bedensel Uzamlar,&rdquo; (<strong>Body Spaces on Garaj Stage<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 184. December 2007.<\/li>\n<li>&ldquo;Gevi\u015f Torbas\u0131: Amerikan Sinemas\u0131nda Temizlik ve Yaln\u0131zl\u0131k,&rdquo; (<strong>The Sack of Cud: Cleanliness and Loneliness in American Film<\/strong>) <em>Kaos GL<\/em>. September 2007: 40-41.<\/li>\n<li>&ldquo;Bejart Ballet ve Bellekteki &Ouml;l&uuml;ms&uuml;zl&uuml;k Metaforlar\u0131,&rdquo; (<strong>Bejart Ballet &amp; Metaphors of Immortality in Our Memory<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 July 2007.<\/li>\n<li>&ldquo;Thespis&rsquo;in Delileri: Ele\u015ftiri ve Tahamm&uuml;l,&rdquo; (<strong>Madmen of Thespis: Criticism &amp; Tolerance<\/strong>) <em>Tiyatro Tiyatro<\/em>. June 2007: 25- 28.<\/li>\n<li>&ldquo;Bir G&ouml;rme Bi&ccedil;imi Olarak Cihangir: Yusuf Eradam ile Foto\u011fraf&ccedil;\u0131l\u0131k ve Sergisi &Uuml;zerine S&ouml;yle\u015fi,&rdquo; (<strong>Interview with Eradam on Photography and His Fourth Exhibition<\/strong>) <em>Evrensel<\/em>, 25 June 2007: 12.<\/li>\n<li>&ldquo;Oru&ccedil;&rsquo;u \u015eiir Tuttu,&rdquo; (<strong>Oru&ccedil; <\/strong><strong>Aruoba is Bound with Poetry<\/strong>) <em>Tiyatro Tiyatro<\/em>. May 2007: 64-65.<\/li>\n<li>&ldquo;Tiyatroda Uzam E\u015fikleri,&rdquo; (<strong>Thresholds of Space in Theatre<\/strong>) <em>Tiyatro Tiyatro<\/em>. April 2007: 58- 61.<\/li>\n<li>&ldquo;Sahneye Rehin Bedenler&rdquo; (<strong>Bodies Taken in Pawn to the Stage<\/strong>) <em>Tiyatro Tiyatro<\/em>. March 2007<strong>: <\/strong>44-48<\/li>\n<li>&ldquo;Sahnede Simetrinin G&uuml;c&uuml; ve \u0130ktidar,&rdquo; (<strong>The Significance of Symmetry on Stage &amp; Power<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 October 2007.<\/li>\n<li>&ldquo;Ana Karakter Ekseni &Ccedil;evresinde D&ouml;nerse Deliler, \u0130ktidara Dair Bir \u015eeyler Derler!&rdquo; (<strong>If the Madmen Rotate Around the Protagonist, Then They Say Something About Power<\/strong>) <em>Tiyatro Tiyatro<\/em>. February 2007: 44-47.<\/li>\n<li>&ldquo;Bask\u0131n Bilin&ccedil;,&rdquo; (<strong>Dominant Conciousness<\/strong>) <em>Birg&uuml;n Gazetesi<\/em>. 21 July 2007.<\/li>\n<li>&ldquo;Yusuf Eradam ile S&ouml;yle\u015fi: &ldquo;&Ccedil;evirmen Uzmanla\u015fmaya Gitmelidir ve En Becerikli Oldu\u011fu Alanda At Ko\u015fturmal\u0131d\u0131r,&rdquo; (<strong>Interview with Eradam on Translation: Expertise on Translation in One Field Is A Must<\/strong>) (S&ouml;yle\u015fiyi yapan: Aykut Haldan). <em>&Ccedil;.N<\/em>. Kitap 5. November 2007: 78-84.<\/li>\n<li>&ldquo;Unutu\u015f \u0130ronisi: G&ouml;zlerini Kapamadan Vazife Yapabilmek Deliliktir!<strong> (Irony of Oblivion: Much Madness It is to Do Your Duty Eyes Wide Open) <\/strong><em>Tiyatro Tiyatro<\/em>. January 2007: 40-42.<\/li>\n<li>&ldquo;N&acirc;z\u0131m Hikmet \u015eiirinin Heybeti ve Evrenselli\u011fi&rdquo; (<strong>The Grandiosity &amp; Universality of N&acirc;z\u0131m Hikmet&rsquo;<\/strong><strong>s Poetry<\/strong>) (T&uuml;rk&ccedil;enin S&uuml;rg&uuml;n \u015eairi: N&acirc;z\u0131m Hikmet &Ouml;zel Say\u0131s\u0131.) January 2007: 531-35.<\/li>\n<li>&ldquo;Musalla Ta\u015f\u0131n\u0131n Hikmeti: Dilin Kendili\u011fi ya da \u015eiir ve S&ouml;&rdquo; (<strong>Poetry and Myth: The Wisdom of the Plinth) <\/strong><em>Hece<\/em>. Say\u0131 119. November 2006: 121-126.<\/li>\n<li>&ldquo;Yenilik Diye Hardal\u0131 Basarsan\u0131z, Ne Piyaz\u0131n Tad\u0131 Kal\u0131r Ne de Dondurman\u0131n!&rdquo; Y&uuml;cel Erten ile S&ouml;yle\u015fi. (<strong>Eradam&rsquo;<\/strong><strong>s Interview With the Theatre Director Y&uuml;cel Erten<\/strong>) <em>Tiyatro Tiyatro<\/em>. December 2006. Say\u0131 172: 46-50.<\/li>\n<li>&ldquo;Halk\u0131m\u0131z Gibi Sanat&ccedil;\u0131m\u0131z\u0131n da Ac\u0131 E\u015fi\u011fi Y&uuml;ksektir: Ahmet M&uuml;mtaz Taylan ile S&ouml;yle\u015fi,&rdquo; (<strong>Eradam&rsquo;<\/strong><strong>s Interview with Actor, Director A.M. Taylan<\/strong>) <em>Tiyatro Tiyatro<\/em>, November 2006. Say\u0131 171: 26-29)<\/li>\n<li>&ldquo;Thespis&rsquo;in Ruhu,&rdquo; (<strong>The Spirit of Thespis<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 168. August 2006.<\/li>\n<li>&ldquo;\u0130zzetli Enayiler: Deliler Bast\u0131 &rsquo;u 2,&rdquo; (<strong>Glorious Fools: Madmen Invaded Istanbul<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 July 2006.<\/li>\n<li>&ldquo;Sayfac\u0131,&rdquo; (<strong>Pager: On Reading and Desiring to be a Book<\/strong>) <em>Cihangir Postas\u0131<\/em>. Say\u0131 April-July, 2006: 4-5.<\/li>\n<li>&ldquo;Persler: Kaslar\u0131n Bar\u0131\u015f Dans\u0131,&rdquo; (<strong>Persians: The Peace Dance of the Muscles<\/strong>) <em>Tiyatro Tiyatro<\/em>. No. 166. June 2006.<\/li>\n<li>&ldquo;Deliler Bast\u0131 &rsquo;u: Festival Geldi,&rdquo; (<strong>Madmen Invaded Istanbul: Theatre Festival Is Here<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131. 166. June 2006.<\/li>\n<li>&ldquo;\u0130ktidar, At\u0131k ve Sahne,&rdquo; (<strong>Power, Waste &amp; the Stage<\/strong>) <em>Tiyatro Tiyatro<\/em>. April 2006<strong>.<\/strong><\/li>\n<li>&ldquo;Nilg&uuml;n Marmara ve Atavistik S&ouml;ylem,&rdquo; (<strong>Atavistic Discourse in Nilg&uuml;n Marmara&rsquo;<\/strong><strong>s Poetry<\/strong>) <em>Milliyet Sanat<\/em>, February 2006.<\/li>\n<li>&ldquo;Tiyatroda Ele\u015ftiri Mevsimi ve Kara &Ccedil;ar\u015faf,&rdquo; (<strong>Season of Criticism in Theatre &amp; the Black Hijab<\/strong>) <em>Tiyatro Tiyatro<\/em>. February 2006.<\/li>\n<li>&ldquo;Direnen Bellek: <em>&Ouml;zk\u0131y\u0131m<\/em>,&rdquo; <em>Evrensel Gazetesi<\/em>, 21 February 2006.<\/li>\n<li>&ldquo;\u015eahika Tekand: I\u015f\u0131\u011f\u0131 Maske Gibi Kullanan Kad\u0131n,&rdquo; (<strong>\u015eahika Tekand: The Woman Who Makes Masks Out of Light<\/strong>) <em>Tiyatro Tiyatro<\/em>. January 2006.<\/li>\n<li>&ldquo;Virginia Woolf ve &Uuml;st Metni \u0130ntihar,&rdquo; (<strong>Virginia Woolf &amp; the Surtext of Suicide<\/strong>) <em>Milliyet Sanat<\/em>, January 2006.<\/li>\n<li>&ldquo;\u015eahika Tekand ile <em>Oedipus S&uuml;rg&uuml;nde<\/em> &Uuml;zerine Sohbet,&rdquo; (<strong>Interview With \u015eahika Tekand on <\/strong><strong><em>Oedipus on Exile<\/em><\/strong>) <em>Tiyatro Tiyatro<\/em>, January 2006.<\/li>\n<li>&ldquo;Tiyatroda Tek Etki Kuram\u0131,&rdquo; (<strong>Theory of Totality in Effect in Theatre<\/strong>) <em>Tiyatro Tiyatro<\/em>, January 2006.<\/li>\n<li>&ldquo;Vasatl\u0131k Ba\u011flar\u0131nda Dolan\u0131yorum: <em>Mucizeler Komedisi<\/em>,&rdquo; (<strong>Wandering in the Vineyards of Mediocrity<\/strong>: <strong><em>Comedy of Miracles<\/em><\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 January 2005: 14-16.<\/li>\n<li>&ldquo;Peran\u0131n H&uuml;creleri,&rdquo; (<strong>Cells of Pera<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131160. December 2005.<\/li>\n<li>&ldquo;Kad\u0131ndan \u015eair Olmaz,&rdquo; (<strong>Who Says Women Do Not Make Poets<\/strong>) <em>Patika<\/em>. Say\u0131 48, January-March 2005: 1-9. (Bkz. <a href=\"http:\/\/www.bianet.org\">bianet.org<\/a> )<\/li>\n<li>&ldquo;Sava\u015f\u0131n \u0130nsaf\u0131: <em>Dobrinja&rsquo;<\/em><em>da D&uuml;\u011f&uuml;n<\/em>,&rdquo; (<strong>The Mercy of War: <\/strong><strong><em>The Wedding in Dobrinja<\/em><\/strong>) <em>Tiyatro Tiyatro. Say\u0131<\/em> 150 February 2005: 35-37.<\/li>\n<li>&ldquo;Perde Kurdur \/ I\u015f\u0131k Yakt\u0131r\/Ayd\u0131n Olsun Perdemiz: Hacivat-Karag&ouml;z Hali&ccedil;&rsquo;teydi&rdquo; (<strong>Hacivat &amp; Karag<\/strong><strong>&ouml;<\/strong><strong>z Were at Golden Horn<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 154 June 2005: 43-45.<\/li>\n<li>&ldquo;Thespis&rsquo;in Delileri: <em>Donmu\u015f<\/em>&rdquo; (<strong>Review of the Play<\/strong><strong><em> Frozen<\/em><\/strong><em>) Tiyatro Tiyatro<\/em>. Say\u0131 158 October 2005: 42-44.<\/li>\n<li>&ldquo;Ful Yapraklar\u0131 ve Di\u011ferleri,&rdquo; (<strong>Gardenia Leaves &amp; Other Plays<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 May 2005.<\/li>\n<li>&ldquo;C&uuml;mb&uuml;\u015f: D&ouml;rt Oyun, D&ouml;rt Yorum,&rdquo; (<strong>Festivity: 4 Plays, 4 Interpretations<\/strong>) <em>Tiyatro Tiyatro<\/em>. Say\u0131 April 2005.<\/li>\n<li>&ldquo;Carmela ve Kad\u0131nlar,&rdquo; (<strong>Carmela &amp; Women<\/strong>) <em>Tiyatro Tiyatro Dergisi<\/em>, Say\u0131 March 2005.<\/li>\n<li>&ldquo;Sylvia Plath: \u015eiirle At\u0131lan &Ccedil;\u0131\u011fl\u0131k.&rdquo; (<strong>Sylvia Plath: Screaming By Poetry<\/strong>) <em>Milliyet Sanat Dergisi<\/em>. August 2004: 76-81. (&ldquo;Susma Cesareti&rdquo; ba\u015fl\u0131\u011f\u0131 ile kapak oldu\/ &Ouml;zel Dosya)<\/li>\n<li>&ldquo;A\u015fk: Faili Me&ccedil;hul Cani: Haneke&rsquo;nin <em>Piyano &Ouml;\u011fretmeni<\/em>&rsquo;nden M&uuml;lhem A\u015fk ve Delilik &Uuml;zerine Bir Deneme,&rdquo; (<strong>An Essay on Love &amp; Madness Inspired by Haneke&rsquo;s <em>The Piano Teacher<\/em><\/strong>.) <em>Kaos GL<\/em>., Say\u0131 19, January-February 2004: 6-10.<\/li>\n<li>&ldquo;\u015eiir Ele\u015ftirisinin \u0130\u015flevi: Soru\u015fturmaya Yan\u0131t,&rdquo; (<strong>The Function of Poetry Criticism<\/strong>) <em>De\u011firmen<\/em>, Say\u0131 4. Ankara, 2004-1: 33.<\/li>\n<li>&ldquo;Beddua Saatleri&rdquo; (<strong>Hours of Malediction: On the Movie &ldquo;<\/strong><strong><em>The Hours&rdquo;<\/em><\/strong>) <em>Kaos GL. <\/em>Say\u0131 April-May 2003: 40-44.<\/li>\n<li>&ldquo;Vanilyal\u0131 \u0130deoloji: Amerikan Pop&uuml;ler \u0130mgeleri ve K&uuml;resel Bellek,&rdquo; (<strong>Vanilla Ideology: American Popular Images &amp; Global Memory<\/strong>) <em>Evrensel K&uuml;lt&uuml;r<\/em>, Say\u0131 132, January 2003, ss. 18-27.<\/li>\n<li>Yusuf Eradam ile S&ouml;yle\u015fi: &ldquo;T&uuml;rk Edebiyat\u0131 Di\u011fer Dillere Ni&ccedil;in &Ccedil;evril(e) miyor? (<strong>Interview with Eradam: Why Can&rsquo;<\/strong><strong>t Be Translated to Other Languages<\/strong>) (S&ouml;yle\u015fi: Cengiz Ertem, Nevin &Ouml;zkan, Salih Bolat ve Ahmet Y\u0131ld\u0131z ile birlikte.) <em>Edebiyat ve <\/em><em>Ele\u015ftiri<\/em>,&nbsp; Say\u0131 64, November-December, 2002: 11-19.<\/li>\n<li>&ldquo;Beat Ku\u015fa\u011f\u0131 ve A\u011f\u0131r Topu Allen Ginsberg&rdquo; (<strong>Beat Generation &amp; Its Big Gun, Allen Ginsberg<\/strong>) <em>Kaos GL Dergisi<\/em>, Say\u0131 3, July 2002<\/li>\n<li>&ldquo;Fantastik &Ccedil;ocuktan Rapunzel&rsquo;e Lades,&rdquo; (<strong>Wishbone from the Fantastic Child to Rapunsel<\/strong>) <em>&Ccedil;ocuk ve Edebiyat<\/em>. : Okuyan-Us Yay\u0131nlar\u0131, 2002: 47-50.<\/li>\n<li>&ldquo;H&uuml;lyan\u0131n Anti-Kahramanlar\u0131: Amerika&rsquo;n\u0131n Arka Bah&ccedil;esi,&rdquo; (<strong>The Anti-Heroes of the Dream: America&rsquo;<\/strong><strong>s Backyard<\/strong>) <em>Ankara Devlet Tiyatrosu Yay\u0131nlar\u0131, Arka Bah<\/em><em>&ccedil;e Oyunu&rsquo;nun Kitap&ccedil;\u0131\u011f\u0131<\/em>, 1998: 6-7, 10-11.<\/li>\n<li>&ldquo;Sanat ve Sanat&ccedil;\u0131n\u0131n G&ouml;revleri &Uuml;zerine Ele\u015ftirel Bir Soru\u015fturma: Yusuf Eradam ile S&ouml;yle\u015fi,&rdquo; (<strong>A Critical Questionaire on Art &amp; Artist&rsquo;<\/strong><strong>s Duties<\/strong>&rdquo; (<strong>Interview with Eradam by Bar\u0131\u015f <\/strong><strong>Acar<\/strong>) . <em>Evrensel<\/em>, 20 December 1998: 11.<\/li>\n<li>&ldquo;Ben&rsquo;den &Ouml;nce Tufan&rsquo;daki Kad\u0131n: Sylvia Plath,&rdquo; (<strong>The Woman in Eradam&rsquo;<\/strong><strong>s Book (Plath) The Deluge Before the Self<\/strong>) <em>\u0130mge Kitap<\/em>, 1997: 7-10.<\/li>\n<li>&ldquo;Yerel Olan Bir Adad\u0131r: Yerel Dil, Yerel K&uuml;lt&uuml;r, Yerel Bellek,&rdquo; (<strong>Locality is an Island: Local Language, Local Culture, Local Memory<\/strong>,&rdquo; <em>Ada Kentliyim<\/em>. Y\u0131l 3, Say\u0131 9, March-May 1997.<\/li>\n<li>&ldquo;Orada Bir Amerika Var Uzakta,&rdquo; (<strong>The America Far Far Away: A Series of Articles of Four Chapters) <em>Evrensel K&uuml;lt&uuml;r<\/em><\/strong><strong>. Say\u0131<\/strong><strong>lar 52, 53, 54, 55 (April, May, June 1996. ss. 42-46.<\/strong><\/li>\n<li>&ldquo;Gezi Yaz\u0131n\u0131 ve Amerikan H&uuml;lyas\u0131n\u0131n Temelleri,&rdquo; (<strong>Travel Literature and the Foundations of the American Dream<\/strong>) <em>Evrensel K&uuml;lt&uuml;r<\/em>. Say\u0131 55. July 1996: 55-57.<\/li>\n<li>&ldquo;\u015eiir Kolorat&uuml;rd&uuml;r, Cevahirdir,&rdquo; (<strong>Poetry is Colaratura, a Gem<\/strong>) <em>Lir: Devlet Opera ve Bale Genel M&uuml;d&uuml;rl&uuml;\u011f&uuml; Ayl\u0131k Sanat Gazetesi<\/em>, April 1995: 2.<\/li>\n<li>&ldquo;D&uuml;nyan\u0131n En Zengin Adam\u0131, Kemalettin Tu\u011fcu,&rdquo; (<strong>The Richest Man on Earth: Kemalettin Tu\u011f<\/strong><strong>cu, the writer of 700 Children&rsquo;<\/strong><strong>s Books<\/strong>) <em>Cumhuriyet Kitap<\/em> 8, May 1995, Say\u0131 291, 14 September 1995.<\/li>\n<li>&ldquo;Ya\u011fmur, Cama Ta\u015f, Dantelde Kan ve K\u0131z &Ccedil;ocu\u011fu: 7. Ankara Film Festivali,&rdquo; (<strong>The Rain, The Stone at the Window, Blood on Lace and the Little Girl: 7th Ankara Film Festival<\/strong>) <em>Evrensel K&uuml;lt&uuml;r<\/em>, Say\u0131 40, April 1995: 58-60.<\/li>\n<li>&ldquo;T&uuml;rkiye &Ccedil;ok Mu K&uuml;lt&uuml;rl&uuml;?&rdquo; (<strong>Is Turkey Cultured\/Multicultural<\/strong>?) <em>Evrensel K&uuml;lt&uuml;r<\/em>, Say\u0131 39, March 1995: 22-23.<\/li>\n<li>&ldquo;Festival G&uuml;nl&uuml;\u011f&uuml;,&rdquo; (<strong>Diary oft he Festival<\/strong>) <em>\u0130zlek: Ayl\u0131k K&uuml;lt&uuml;r, Sanat Dergisi<\/em>, Say\u0131 7, April 1994, Sayfa 7-10. (Ankara Film Festivali&rsquo;nde g&ouml;sterilen filmler &uuml;zerine bir deneme)<\/li>\n<li>&ldquo;K\u0131yamet Yakla\u015f\u0131yor, Melekler Nerede?&rdquo; (<strong>Apocalypse is Approaching, Where Are the Angels<\/strong>) (On Tony Kushner&rsquo;s <em>Angels in America<\/em>) <em>H&uuml;rriyet G<\/em><em>&ouml;<\/em>s<em>teri<\/em>, Say\u0131 159, February 1994.<\/li>\n<li>&ldquo;Orta&ccedil;a\u011fa Yolculuk,&rdquo; (<strong>A Journey to the Middle Ages<\/strong>, A Book Review) <em>Cumhuriyet Kitap<\/em>, Say\u0131 341, 1994: 11-12.<\/li>\n<li>&ldquo;Kertilmez Kaya: Maya Angelou,&rdquo; (<strong>The Unbeatable Rock: Maya Angelou<\/strong>) <em>Evrensel K&uuml;lt&uuml;r<\/em>, March 1993: 52-53.<\/li>\n<li>&ldquo;D&uuml;nya Kafam\u0131n \u0130&ccedil;inde, Kafam D&uuml;nyan\u0131n,&rdquo; Paul Auster ile S&ouml;yle\u015fi,&rdquo; (<strong>The World is in My Head, I am in the World: Interview with Paul Auster<\/strong>) <em>Cumhuriyet Kitap<\/em>, 25 November &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (<strong>Cover topic for this issue, s<\/strong><strong>&ouml;yle\u015fi dergiye kapak olmu\u015ftur<\/strong>.)<\/li>\n<li>&ldquo;&Ccedil;a\u011fda\u015f Bir Mevlana: Maya Angelou,&rdquo; (<strong>A Contemporary Rumi: Maya Angelou<\/strong>) <em>H&uuml;rriyet G<\/em><em>&ouml;<\/em>s<em>teri, <\/em>Say\u0131 148, March 1993: 34-35.<\/li>\n<li>&ldquo;\u015eiir Cumhuriyeti&rsquo;nde Soluk Als\u0131n R&uuml;zg&acirc;r,&rdquo; (<strong>Let the Wind Breathe in the Republic of Poetry, An Essay on the Attempt to Make theTower of Leander in Istanbul the Capital of World Poetry<\/strong>) <em>Cumhuriyet Dergi<\/em>, 25 July 1993, Say\u0131 383: 10.<\/li>\n<li>&ldquo;Toni Morrison: Nobel &Ouml;d&uuml;l&uuml;n&uuml; Al\u0131\u015f\u0131 &Uuml;zerine Bir Tan\u0131t\u0131m&rdquo; (<strong>On Toni Morrison&rsquo;<\/strong><strong>s Receiving the Nobel Prize<\/strong>) <em>H&uuml;rriyet G<\/em><em>&ouml; <\/em>1993.<\/li>\n<li>&ldquo;Sylvia Plath ve \u015eiiri: &Ouml;nce Tan\u0131 Kendini, Sonra Yok Et!&rdquo; (<strong>Sylvia Plath &amp; Her Poetry: First Know Thyself, Then Destroy It<\/strong>.) <em>Promete<\/em>.<\/li>\n<li>&ldquo;\u015eiir &Ccedil;evirisi &Uuml;zerine,&rdquo; (<strong>On Translating Poetry<\/strong>) <em>Littera<\/em>. Say\u0131 4, 1993: 15-22.<\/li>\n<li>&ldquo;Pazarc\u0131 &Ccedil;ocu\u011fa A&ccedil;\u0131k Mektup,&rdquo; (<strong>Open Letter to Porter Boy in the Bazaar<\/strong>) <em>Evrensel K&uuml;lt&uuml;r<\/em>, Say\u0131 April 1993: 58-59.<\/li>\n<li>&ldquo;A\u015fk Bir \u015eiddet Eylemidir,&rdquo; (<strong>Love Is an Act of Violence<\/strong>) <em>Cumhuriyet Dergisi<\/em>, Say\u0131 368, 11 April 1993: 8-9.<\/li>\n<li>&ldquo;Robert Creeley&rsquo;ye A&ccedil;\u0131k Mektup,&rdquo; (<strong>Open Letter to Robert Creeley<\/strong>) <em>Evrensel K&uuml;lt&uuml;r<\/em>. Say\u0131 6, June 1992: 44-45.<\/li>\n<li>&ldquo;&Ccedil;a\u011fda\u015f Amerikan Tiyatrosunda G&uuml;ndemdeki Soru: Olup Olaca\u011f\u0131 Bu Mu?&rdquo; (<strong>Is that All There Is to It? The Question to Ask for Contemporary American Theatre: An Interview with Arthur Ballet<\/strong>). <em>Milliyet Sanat Dergisi <\/em> 15 May 1990: 20-22.<\/li>\n<li>&ldquo;Kardan Adam,&rdquo; (<strong>The Snow Man: On the Translation of Wallace Stevens Poem<\/strong>) <em>Metis &Ccedil;eviri<\/em> 1990: 135-138.<\/li>\n<li>&ldquo;Ne Felaketimiz Oldu, Ne de A\u011flad\u0131k: Uygulamada &Ccedil;eviri,&rdquo; (<strong>It Was Not A Disaster, Nor Did We Cry: Translation of Poetry in Application<\/strong>) <em>Metis &Ccedil;eviri<\/em> 1990: 127-130. (Bu &ccedil;al\u0131\u015fman\u0131n &uuml;zerine kurulu oldu\u011fu Attila \u0130lhan&rsquo;\u0131n &ldquo;&Uuml;&ccedil;&uuml;nc&uuml; Sah\u015f\u0131n \u015eiiri&rdquo; ba\u015fl\u0131kl\u0131 \u015fiirinin Frank Reynolds ve G&uuml;ler Siper ile birlikte yap\u0131lan &ccedil;evirisi makale ile birlikte yay\u0131mland\u0131.)<\/li>\n<li>&ldquo;Gen&ccedil; &Ccedil;evirmenler: &Ccedil;ocuk ve H&uuml;z&uuml;n,&rdquo; (<strong>Young Translators: Child Blues<\/strong>) <em>Metis &Ccedil;eviri<\/em>, Say\u0131 13, 1990: 132-134.<\/li>\n<li>&ldquo;Tony Harrison ile \u015eiir, Tiyatro ve &Ccedil;eviri &Uuml;zerine<strong>,&rdquo; <\/strong><strong>(Interview with Tony Harrison on Poetry, Theatre &amp; Translation) <\/strong><em>Metis &Ccedil;eviri 2<\/em>. 1988: 123-133.<\/li>\n<li>&ldquo;Sue Coe: Karalar \u0130&ccedil;indeki \u0130nsan Onuru,&rdquo; (<strong>An Article on the American Artist Sue Coe and Her Art: Human Dignity in Black<\/strong>) <em>Bilim ve Sanat<\/em> 85, January 1988: 30-32<\/li>\n<li>&ldquo;Hi\u015ft &Ccedil;evirmen! L&uuml;tfen!&rdquo; (<strong>Hey Translator, Please!<\/strong>) <em>Metis &Ccedil;eviri<\/em> 1988 : 163-166) ( <strong>On the bad translations of E.E. Cummings&rsquo; Poems Into Turkish) <\/strong><\/li>\n<li>&ldquo;Bir Y&ouml;ntem &Ccedil;al\u0131\u015fmas\u0131: \u015eiir &Ccedil;evirisinde Ses,&rdquo; (A Study of Method: On the Translation of Andrei Voznesensky&rsquo;s Poem &ldquo;Goya&rdquo;) <em>Bilim ve Sanat <\/em> November 1986: 47-49.<\/li>\n<li>&ldquo;Nil&uuml;fer Problemi ya da Oru&ccedil; Aruoba&rsquo;ya Mektup,&rdquo; (<strong>The Lotus Problem &amp; An Open Letter to Oru&ccedil; Aruoba<\/strong>) <em>Cumhuriyet Kitap, <\/em>Say\u0131 249:. 24 November 1984: 10-11.<\/li>\n<li>&ldquo;&Ccedil;a\u011fda\u015f \u0130ngiliz Tiyatrosunda Yeni Deneyler ve \u0130\u015f&ccedil;inin Yabanc\u0131la\u015fmas\u0131,&rdquo; (<strong>New Experiments in Contemporary British Drama &amp; Alienation of the Worker<\/strong>) <em>Yazko &Ccedil;eviri.<\/em> Say\u0131 July-August, 1982: 62-66.<\/li>\n<li>&ldquo;James Saunders &Uuml;zerine,&rdquo; (<strong>On James Saunders<\/strong>) <em>Yazko &Ccedil;eviri<\/em> November-December, 1981: 107-109.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Papers Submitted at the National and International Academic and\/or Artistic Meetings (not published yet): Ulusal, Uluslararas\u0131 Toplant\u0131larda Sunulmu\u015f<\/strong><strong>, hen&uuml;z yay\u0131nlanmam\u0131\u015f konu\u015fmalar\u0131<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li><strong>By Invitation to North Dakota University, Prof. Dr. Sharon Carson<\/strong><strong>&rsquo;<\/strong><strong>s Post Graduate Course to talk on on <\/strong><strong>&ldquo;<\/strong><strong>Trans-nationality in thinking and writing<\/strong><strong>&rdquo; 9. 12. 2021.<\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"2\">\n<li><strong>By Invitation, <\/strong><strong>&ldquo;\u015eiir &Ccedil;evirisi, &Ccedil;evrecilik Bilinci ve &Ouml;tekile\u015ftirme Sorunsal\u0131 &uuml;zerine S<\/strong><strong>&ouml;<\/strong><strong>yle\u015fi&rdquo; <\/strong>Muzaffer &Ccedil;orlu. <strong><em>Uzun Hikaye<\/em><\/strong>, A&ccedil;\u0131k Radyo, Bel&ccedil;&nbsp; 6. 12. 2021.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"3\">\n<li><strong>By Invitation, <\/strong><strong>&ldquo;<\/strong><strong>Ecological-Ecesis by Creativity and Haiku Consciousness-Haiku Bilinci ve Yarat<\/strong><strong>\u0131c\u0131l\u0131k ile &Ccedil;evreci Soys&uuml;rd&uuml;r&uuml;m,&rdquo;<\/strong> Mu\u011fla, S\u0131tk\u0131 Ko&ccedil;man &Uuml;niversitesi, \u0130ngiliz Dili ve Edebiyat\u0131, Prof. Dr. &Ccedil;i\u011fdem Pala Mull dersi, Konuk konu\u015fmac\u0131. 30. 11. 2021.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"4\">\n<li>(<strong>By Invitation<\/strong>) &ldquo;<strong>From Nothing to the Nothing: the Identity-Metamorphosis of an Anatolian Child Exposed to the Western Lore<\/strong>,&rdquo; &#8220;Sekizinci Uluslararas\u0131 Dil, Edebiyat ve K&uuml;lt&uuml;r Konferans\u0131,&#8221; (<strong>&ldquo;<\/strong><strong>8th International Conference on Language, Literature &amp; Culture<\/strong><strong>&rdquo; <\/strong><strong>jointly organized by University of Western Brittany &amp; <\/strong><strong>&Ccedil;ankaya University, 6-7 June 2019) <\/strong>Brest, France. 6 Haziran 2019.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"5\">\n<li>&ldquo;<strong>Haiku Bilin<\/strong><strong>&ccedil;<\/strong><strong>li Yarat\u0131c\u0131l\u0131k \u0130le &Ccedil;evreci Soys&uuml;rd&uuml;r&uuml;m<\/strong>,&rdquo; Talk by Invitation. Ankara Library of Toronto. Followed by an interview with the local TV channel Turkuaz TV. 21 Ekim 2018.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li><strong>&ldquo;Movies Go to Poetry&rdquo;: The Uses and Usages of the Two Disciplines Cooperating for Ecological-Ecesis,&rdquo;<\/strong> &ldquo;Sinema \u015eiire Gidiyor: Ekolojik Soys&uuml;rd&uuml;r&uuml;m \u0130&ccedil;in \u0130ki Disiplinin \u0130\u015fbirli\u011finin Kullan\u0131l\u0131\u015f\u0131 ve Yararlar\u0131,&rdquo; (TEDU-ELL TALKS, TED University, 25 Nisan 2019.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li><strong>&ldquo;&Ouml;fkelenmek Umursamakt\u0131r: Say\u0131n Seyirciler, Dinleyiciler, Konumuz &Ccedil;ocuk \u0130stismar\u0131!&rdquo;<\/strong> Fark Yarat Kongresi, E\u011fitim Fak&uuml;ltesi, TEDU, Ankara. 13 Nisan 2019.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"8\">\n<li><strong>&ldquo;<\/strong><strong>Originary Tsuris: Camouflage and Mimicry via Creativity in the Eco-Ecesis of a Poet-Child of the Chthlucene<\/strong><strong>&rdquo;<\/strong> in the &#8220;1<sup>st<\/sup> Conference on Environmental Humanities in the Anthropocene Age&#8221; Kapadokya Universitesi, 8 Mart 2019.<\/li>\n<li><strong>&#8220;Ecological Ecesis via Creativity with Haiku Consciousness,&#8221; <\/strong><strong>&#8220;3rd Ethical-Ecological Encounters,<\/strong><strong>&rdquo; <\/strong>Bo\u011fazi&ccedil;i University. 8 May\u0131s 2019.<\/li>\n<li>&ldquo;Hayat\u0131m \u015eiir &Ccedil;evirmekle Nihayet &Ouml;m&uuml;r,&rdquo; 28 Mart 2019. At\u0131l\u0131m University, 2019.<\/li>\n<li>&#8220;&Ouml;mr&uuml;m: \u015eiir Oku, \u015eiir Yaz, \u015eiir &Ccedil;evir, \u015eiire D&ouml;n,&#8221; D&uuml;nya \u015eiir G&uuml;n&uuml; Kutlamas\u0131 Davetli Konu\u015fma. &Ccedil;ankaya &Uuml;niversitesi, \u0130ngiliz Dili ve Edebiyat\u0131 B&ouml;l&uuml;m&uuml;. 21 Mart 2019.<\/li>\n<li>&ldquo;<strong>Vicious Circle,<\/strong><strong>&rdquo; <\/strong><strong>Poetry Reading<\/strong> (A contribution to Serpil Oppermann&rsquo;s keynote speech at the 17<sup>th<\/sup> International Cultural Studies Symposium,&rdquo; (17. Uluslararas\u0131 K&uuml;lt&uuml;rel &Ccedil;al\u0131\u015fmalar Sempozyumu&rdquo;) \u0130zmir, 8 May, 2019.<\/li>\n<li>&ldquo;<strong>Haiku ve G&uuml;nl&uuml;k Hayat\u0131m\u0131zdaki Yeri<\/strong>,&rdquo; (Haikus in Everyday Life) ODT&Uuml;, Geli\u015ftirme Vakf\u0131 &Ouml;zel Lisesi, T&uuml;rk Dili ve Edebiyat\u0131 Z&uuml;mresi Davetli Konu\u015fma, 27 Kas\u0131m 2018.<\/li>\n<li>Davetli TEDx Konu\u015fmas\u0131: &ldquo;Haiku Bilinci ile &Ccedil;evreci Soys&uuml;rd&uuml;r&uuml;m,&rdquo; (Ecological-Ecesis with Haiku Consciousness,&rdquo; TEDx Kad\u0131k&ouml;y Anadolu Lisesi Konu\u015fmas\u0131, Maarif K&uuml;lt&uuml;r Merkezi (Duru Tiyatro), 1 May\u0131s 2018.<\/li>\n<li>&ldquo;Haiku Consciousness: Wrapping-Up Literature in English for Ecological-Ecesis,&rdquo;<\/li>\n<\/ol>\n<p><strong>TEDU, &ldquo;\u0130\u015f<\/strong><strong>e Giri\u015f Konu\u015fmam<\/strong>: &ldquo;Haiku Bilinci: Ekolojik-Soys&uuml;rd&uuml;r&uuml;m \u0130&ccedil;in \u0130ngilizce Edebiyat\u0131 Toparlamak,&rdquo; 7 Mart 2018. TEDU, Ankara.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"16\">\n<li><strong>Keynote Speech by Invitation &ldquo;G&uuml;<\/strong><strong>lten Ak\u0131n \u015eiiri ve Hayata Sadakat,&rdquo;<\/strong> (G&uuml;lten Ak\u0131n&rsquo;s Poetry and Loyalty to Life). R&uuml;\u015ft&uuml; Ak\u0131n Mesleki ve Teknik Anadolu Lisesi, &ldquo;Poetry at School&rdquo; \/ \u015eiir Okulda. 24. 02. 2017.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"17\">\n<li><strong>Keynote Speech by Invitation<\/strong>: <strong>&ldquo;G&uuml;<\/strong><strong>lten Ak\u0131n \u015eiiri ve Hayata Sadakat,&rdquo;<\/strong> (Gulten Ak\u0131n&rsquo;s Poetry and Loyalty to Life) Y&uuml;z&uuml;nc&uuml; Y\u0131l &Uuml;niversitesi, Kad\u0131n Yazarlar Sempozyumu. 5. 2016.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"18\">\n<li><strong>&ldquo;\u015eiir ve &Ccedil;eviri At<\/strong><strong>&ouml;lyesi&rdquo;<\/strong> (A Workshop on Translating Poetry) Istanbul University &Ccedil;eviri Kul&uuml;b&uuml; Davetli Konu\u015fmac\u0131. April 2016.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"19\">\n<li><strong>&ldquo;G&uuml;<\/strong><strong>lten Ak\u0131<\/strong><strong>n: \u015eiir Usuldur, Uslu De\u011fildir<\/strong>,&rdquo; (G&uuml;lten Ak\u0131n&rsquo;s Poetry: Wise, Not Well-Behaving) \u0130KU G&uuml;lten Ak\u0131n Anma Paneli. 2015.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"20\">\n<li><strong>&ldquo;Yabanc\u0131lar\u0131n Nezaketi,<\/strong>&rdquo; (The Kindness of Strangers) <em>Baki Ko\u015f<\/em><em>ar, LGBTT Festivali<\/em>, Yak\u0131n Kitabevi, \u0130 24 February 2015.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"21\">\n<li><strong>By Invitation: &ldquo;Yusuf Eradam: \u015eiir &Ccedil;eviri Yar\u0131\u015fmas\u0131 \u015e<\/strong><strong>airi, Panelisti, J&uuml;ri <\/strong><strong>&Uuml;yeli\u011fi<\/strong>,&rdquo; (<strong>Eradam as the Invited Poet \/ Translator \/ Jury Member for the Translation of His Own Poem &ldquo;<\/strong><strong>Bougenvillae&rdquo;<\/strong>) Arel University, 23 December 2014.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"22\">\n<li><strong>&ldquo;<\/strong><strong>Sylvia Plath: \u015eiir ve Ya\u015f<\/strong><strong>ama Sevinci,&rdquo;<\/strong> (Sylvia Plath: Poetry &amp; Joy of Life, a talk at a public library following the publication of his book on Plath) Kad\u0131k&ouml;y Belediyesi, Muhtar &Ouml;zkaya Halk K&uuml;t&uuml;phanesi, 26 October 2014.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"23\">\n<li><strong>&ldquo;\u015eiirde Bir Uygarl\u0131k \u0130mgesi Olarak<\/strong>,&rdquo; (The Civilization Image of Istanbul in Poetry) K&uuml;lt&uuml;r University, Fen-Edebiyat Fak&uuml;ltesi 2014-15 Ders Y\u0131l\u0131 A&ccedil;\u0131l\u0131\u015f Konu\u015fmas\u0131. 16 September 2014.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"24\">\n<li><strong>&#8220;Orwell&#8217;in 1984 Roman\u0131 ve G&uuml;n&uuml;m&uuml;z T&uuml;rkiyesi<\/strong>,&#8221; (Orwell&rsquo;s 1984 &amp; Today&rsquo;s Turkey) \u0130zmir Teknoloji Enstit&uuml;s&uuml;, 20 May 2014.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"25\">\n<li><strong>&#8220;<em>Bin Dokuz Y&uuml;z Seksen D<\/em><\/strong><strong><em>&ouml;rt<\/em>: G<\/strong><strong>&ouml;zalt\u0131 Toplumu ve Hipnoz,&#8221;<\/strong> (Nineteen Eighty-Four, the Surveillance Society &amp; Hypnosis,) At\u0131l\u0131m University, 7 March 2014.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"26\">\n<li><strong>&ldquo;Zeki Demirkubuz ile YERALTI ve Sinemas\u0131 &uuml;zerine S<\/strong><strong>&ouml;yle\u015fi<\/strong>.&rdquo; (Interview With the Turkish Film Director Zeki Demirkubuz on His Film <em>Yeralt\u0131 <\/em><em>\/ Underground<\/em>) Bah&ccedil;e\u015fehir University, T&uuml;rkan \u015eoray Salonu, 13 November 2012.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"27\">\n<li><strong>Davetli Sunum Konu\u015fmas\u0131: &ldquo;<em>Kumal\u0131k: &Ouml;l&uuml;m Elbisesi<\/em>,&rdquo;<\/strong> (<strong>Fellow WifeHood: Death Attire<\/strong>) 8 March 2012, D&uuml;nya Emek&ccedil;i Kad\u0131nlar G&uuml;n&uuml;, Y&ouml;netmen M&uuml;jde Arslan ile Sohbet,&rdquo; Bah&ccedil;e\u015fehir University, Faz\u0131l Say.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"28\">\n<li><strong>&ldquo;Amerikan Edebiyat\u0131 <\/strong><strong>ve Sinemas\u0131nda Sak\u0131<\/strong><strong>ncas\u0131z &Ouml;tekiler<\/strong>,&rdquo; (Auspicious Others in American Literature and Cinema) Ankara University, Dil ve Tarih-Co\u011frafya Fak&uuml;ltesi, Amerikan K&uuml;lt&uuml;r&uuml; ve Edebiyat\u0131 Seminer Dizisi Konu\u015fmas\u0131, 29 April 2011.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"29\">\n<li><strong>&ldquo;Buket Uzuner ile S<\/strong><strong>&ouml;<\/strong><strong>yle\u015fi,&rdquo;<\/strong> (Interview With Buket Uzuner, the Novelist) Bah&ccedil;e\u015fehir University Yaz Okulu, &ldquo;D&uuml;nya Sinemas\u0131&rsquo;nda &Ouml;tekile\u015ftirme Dersi. 4 August 2010.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"30\">\n<li><strong>Davetli Konuk \u015e<\/strong><strong>air<\/strong>: &ldquo;\u015eiir Bah&ccedil;esi,&rdquo; (<strong>Poetry Garden<\/strong>) (&Uuml;lk&uuml; Tamer, Tu\u011frul Tanyol, Lale M&uuml;ld&uuml;r vb. \u015fairlerle birlikte.) Bah&ccedil;e\u015fehir &Uuml;niversitesi, 20 March 2009.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"31\">\n<li>Mah\u015fer-i C&uuml;mb&uuml;\u015f Do\u011fa&ccedil;lama Grubu ile &ldquo;Tiyatro Sporu ve Do\u011fa&ccedil;lama&rdquo; konulu s&ouml;yle\u015fi. (<strong>Interview With the Improvisation Theatre Group Mah\u015fer-i C&uuml;mb&uuml;\u015f<\/strong>) Bah&ccedil;e\u015fehir U.,., Faz\u0131l Say Salonu, 2009.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"32\">\n<li><strong>&ldquo;\u015eiir &Ccedil;evirisinde \u0130mge, Ses ve Ton,&rdquo;<\/strong> (Image, Sound &amp; Tone in Poetry Translation) \u0130stanbul Universitesi, M&uuml;tercim-Terc&uuml;manl\u0131k B&ouml;l&uuml;m&uuml; Davetli Konu\u015fmas\u0131<em>,<\/em> 3 May 2010.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"33\">\n<li>&ldquo;<strong>Facing the Past<\/strong>,&rdquo; Bah&ccedil;e\u015fehir University, Amerikan K&uuml;lt&uuml;r&uuml; ve Edebiyat\u0131<\/li>\n<\/ol>\n<p><strong>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Sempozyumu, Kapan\u0131\u015f panel konu\u015fmas\u0131, Moderator &amp; Closing Remarks, 2009.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"34\">\n<li><strong>&ldquo;Homofobi ve Ayr\u0131mc\u0131l\u0131k<\/strong>&rdquo; (<strong>Homophobia &amp; Discrimination<\/strong>) Sempozyumunda Panel Konu\u015fmas\u0131, <strong><em>Ege University<\/em><\/strong>, April<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"35\">\n<li><strong>&ldquo;\u015eiir &Ccedil;evirisinde Yarat\u0131c\u0131l\u0131k,&rdquo;<\/strong> (Creativity in Poetry Translation) <em>&Ccedil;.N. Dergisi<\/em> &Ccedil;eviri G&uuml;nleri. N&acirc;z\u0131m Hikmet K&uuml;lt&uuml;r Merkezi, Kad\u0131k&ouml;y, 24 October 2009.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"36\">\n<li><strong>ODT&Uuml; Mezunlar Derne\u011fi, &ldquo;Yarat\u0131c\u0131l\u0131k, Yazarl\u0131k, &Ouml;<\/strong><strong>yk&uuml;leme: Yazar Yusuf Eradam ile S<\/strong><strong>&ouml;yle\u015fi<\/strong>,&rdquo; 17 December 2008. (Creativity, Writing Stories: Interview With Author Yusuf Eradam)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"37\">\n<li><strong>&ldquo;K&uuml;reselle\u015fme ve Dil Sempozyumu&rsquo;nda panel konu\u015fmas\u0131,&rdquo;<\/strong> (Panel talk on Globalization &amp; Language) D&uuml;zenleyen Pen Yazarlar Birli\u011fi, Bilgi University, 10-11 May, 2008. (Ali Akay ve Ahmet Soysal ile birlikte)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"38\">\n<li><strong>&ldquo;Uygulamada \u015eiir &Ccedil;evirisi,&rdquo;<\/strong> Bo\u011fazi&ccedil;i University, Kriton Curi Salonu, 3 April 2008.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"39\">\n<li><strong>&ldquo;Musalla Ta\u015f\u0131 Sakinleri: Cihangir&rdquo; <\/strong><strong>Adl\u0131 Kitab\u0131 &Uuml;zerine S<\/strong><strong>&ouml;yle\u015fi,<\/strong> (The PlinthStone Dwellers: Interview with Eradam on his 5<sup>th<\/sup> Photography Exhibition.) TRT 1 TV, June 2007.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"40\">\n<li><strong>Davetli Konu\u015fma: &ldquo;Musalla Ta\u015f\u0131 Sakinleri: Cihangirliler&rdquo; &Uuml;zerine S<\/strong><strong>&ouml;yle\u015fi,&rdquo; <\/strong>The Plinth Stone Dwellers: Interview with Eradam on his 5<sup>th<\/sup> Photography Exhibition) T&uuml;rkMax, June 2007.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"41\">\n<li>&ldquo;<strong>The Road as Space in American Film,<\/strong>&rdquo; ASAT Konferans\u0131<em>,<\/em> Ankara, November 2007.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"42\">\n<li>&ldquo;<strong>Power of Language: Culture, Myth and the Subjectivity of Language&rdquo;. <\/strong>&Ouml;zel Ey&uuml;bo\u011flu Lisesi, D&uuml;nya Liseli &Ouml;\u011frenciler Bulu\u015fmas\u0131, 30 October 2006.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"43\">\n<li><strong>Davetli Konu\u015fma: &ldquo;\u015eiir ve Edebiyat <\/strong><strong>&Uuml;zerine S<\/strong><strong>&ouml;yle\u015fi&rdquo;<\/strong> (Interview with Eradam on Poetry and Literature, Free Radio) &Ouml;zg&uuml;r Radyo, April 2006.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"44\">\n<li><strong>Davetli Konu\u015fma<\/strong>: <strong>&ldquo;K&uuml;resel Belle\u011fi Olu\u015fturan Paradigmalar,&rdquo;<\/strong> (Paradigms Constituting Global Memory) Talk at Free University, &Ouml;zg&uuml;r University, 14 January 2005.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"45\">\n<li><strong>&ldquo;Dilimizden Utanmayal\u0131m,&rdquo;<\/strong> (We Must Not Be Ashamed of Our Language) Expo Channel Konu\u015fmas\u0131, 2005.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"46\">\n<li><strong>Davetli Konu\u015fma: &ldquo;<\/strong><strong>2004 USA Presidential Elections &amp; Vanilla Ideology.&rdquo; <\/strong><strong>NTV<\/strong> talk by invitation <strong><em>G&uuml;nl&uuml;k Hayat<\/em>. <\/strong>November 2004.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"47\">\n<li>&ldquo;<strong>The Repository of Notices for Continuity to Stand Mortality<\/strong>,&rdquo; <em>Bilkent University Semineri: Perspectives on the past, the present and change<\/em>, 5-6 March, 2004.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"48\">\n<li>&ldquo;Foto\u011fraf&ccedil;\u0131l\u0131k &Uuml;zerine,&rdquo; (<strong>On Photography<\/strong>) <strong><em>Ya\u015fad\u0131k<\/em><\/strong><strong><em>&ccedil;a<\/em><\/strong>, July 2004. <em>Radyo TRT 1<\/em>.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"49\">\n<li><strong>T<\/strong><strong>&Uuml;<\/strong><strong>YAP 2004 Book Fair Panel: Poetry &amp; Violence.<\/strong> D&uuml;nya Yay\u0131 <em>\u015eiir ve \u015eiddet<strong>.<\/strong><\/em> November 2004.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"50\">\n<li><strong>&ldquo;T<\/strong><strong>&Uuml;<\/strong><strong>YAP 2004 Book Fair Panel 2<\/strong>: <strong>Turkey in the East-West Pincers<\/strong>. Ayk\u0131r\u0131 Yay\u0131nevi. November 2004.&fnof;<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"51\">\n<li>&ldquo;<strong>Cult Cities, Their Icons and Bodyguards&rdquo; <\/strong><em>Ege University, 9. Y\u0131ll\u0131k Uluslararas\u0131 K&uuml;lt&uuml;r Sempozyumu: City in (Culture) in City<\/em>, May 5-7, 2004.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"52\">\n<li>&ldquo;T&uuml;rk \u015eiirinde \u0130mgesel Boyut,&rdquo; (<strong>Image Dimension in Turkish Poetry, Panel<\/strong> with Erdo\u011fan Kul &amp; Salih Bolat) 2. <strong><em>Ankara \u015eiir Bulu\u015fmas\u0131<\/em><\/strong>, 20-23 March 2003.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"53\">\n<li>&ldquo;Amerikan Pop&uuml;ler \u0130mgeleri ve K&uuml;resel Bellek,&rdquo; (<strong>Popular American Images &amp; Global Memory<\/strong>) <strong><em>Kaos K&uuml;lt&uuml;r Merkezi<\/em><\/strong>, 16 February 2002.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"54\">\n<li>&ldquo;Pop&uuml;ler K&uuml;lt&uuml;r ve Masallar,&rdquo; (<strong>Popular Culture &amp; Tales<\/strong>) Free University: <em>&Ouml;zg&uuml;<\/em><em>r Universite<\/em>,<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"55\">\n<li>&ldquo;Dilde Varolu\u015f: Sylvia Plath ve Nilg&uuml;n Marmara,&rdquo; (<strong>Existential Language: Sylvia Plath &amp; Nilg&uuml;n Marmara<\/strong>) <em>Kaos K&uuml;lt&uuml;r Merkezi<\/em>, Ankara. 12 April 2001.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"56\">\n<li>&ldquo;\u015eiir ve M&uuml;zik,&rdquo; (<strong>Poetry &amp; Music, Radio talk with author Ahmet \u0130nam<\/strong>), <strong>Radyo ODT<\/strong><strong>&Uuml;<\/strong>, 2001<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"57\">\n<li>&ldquo;<strong>Rum&icirc; <\/strong><strong>and His Significance in World Culture<\/strong>,&rdquo; Talk to the Iranian Community in Saginaw Michigan, 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"58\">\n<li>&ldquo;<strong>Interview with Yusuf Eradam on His Saginaw Photography Exhibition: Humanscapes from Turkey<\/strong>,&rdquo; Saginaw Local Radio, November 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"59\">\n<li>&ldquo;<strong>George Eliot and Her Work<\/strong>,&rdquo; <em>The Seventh METU English Novelists Seminar<\/em>, Ankara, 11-12 March 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"60\">\n<li>&ldquo;<strong>Bartleby Visiting Emily: &ldquo;I&rsquo;<\/strong><strong>d Prefer Not to, or the Inevitable Meeting of Two Artists in&nbsp; Defiance,&rdquo;<\/strong> <em>Amerikan Et&uuml;dleri Derne\u011fi Etkinli\u011fi, T&uuml;rk-Amerikan K&uuml;lt&uuml;r Derne\u011fi<\/em>, Ankara, 31 May, 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"61\">\n<li>&ldquo;\u015eiir Nedir, Ne De\u011fildir?&rdquo; (<strong>What is &amp; What Isn&rsquo;<\/strong><strong>t Poetry<\/strong>)<strong> 1998 World Youth Gathering Talk in Bergama to Protest Against Gold Mining by Cyanide<\/strong>. <em>D&uuml;nya Gen<\/em><em>&ccedil;lerinin Bergama Bulu\u015fmas\u0131<\/em>, August 1998.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"62\">\n<li>&ldquo;15 G&uuml;nl&uuml;k &Ouml;yk&uuml; At&ouml;lyesi: &Ouml;yk&uuml; Nedir, Nas\u0131l Yaz\u0131l\u0131r?&rdquo; (<strong>What is a Short Story, How Do We Write One<\/strong>) <strong>1998 World Youth Gathering Talk in Bergama to Protest Against Gold Mining by Cyanide <\/strong><em>D&uuml;nya Gen<\/em><em>&ccedil;lerinin Bergama Bulu\u015fmas\u0131<\/em>, August 1998.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"63\">\n<li>&ldquo;<strong>Ricky Martin in Mardin: Who Am I This Time? Popular Culture Shaping Individual Identity and Collective Memory<\/strong>.&rdquo; <em>Ege University, 3. K&uuml;lt&uuml;rel Ara\u015ft\u0131rmalar Semineri: Popular Culture(s) <\/em>13-15 May 1998, \u0130zmir.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"64\">\n<li>&ldquo;Tarif: Lezzetli Bir \u015eiir &Ccedil;evirisi Nas\u0131l Yap\u0131l\u0131r,&rdquo; (<strong>Recipe: How to Translate a Poem Deliciously<\/strong>) <em>Hacettepe University, M&uuml;tercim-Terc&uuml;manl\u0131k B<\/em><em>&ouml;l&uuml;m&uuml;, &ldquo;&Ccedil;evirilim ve Uygulamalar\u0131&rdquo; Semineri<\/em>, 8 May 1998, Beytepe, Ankara.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"65\">\n<li>&ldquo;K\u0131sa &Ouml;yk&uuml;ye Kuramsal Yakla\u015f\u0131mlar,&rdquo; (<strong>Theoretical Approaches to the Short Story<\/strong>) <em>Ankara &Ouml;<\/em><em>yk&uuml; G&uuml;nleri<\/em>, 1-7 June 1998.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"66\">\n<li>&ldquo;&Ccedil;eviri Paneli,&rdquo; (<strong>Translation Panel<\/strong>) <em>Edebiyat&ccedil;\u0131lar Derne\u011fi Etkinli\u011fi<\/em>, (with G&uuml;rsel Ayta&ccedil;, Abidin Emre, Y\u0131ld\u0131z Canpolat) 1997.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"67\">\n<li>&ldquo;Bir \u015eiir &Ccedil;evirisi Uygulamas\u0131: Sylvia Plath ve &lsquo;Daddy&rsquo; &ldquo;:&nbsp; (<strong>How I Translated Plath&rsquo;s &ldquo;<\/strong><strong>Daddy<\/strong>&rdquo;) <em>Bo\u011f<\/em><em>azi<\/em><em>&ccedil;<\/em><em>i University &Ccedil;eviri Konferans\u0131: &Ccedil;eviribilim Kuramlar\u0131 ve Uygulamalar\u0131<\/em>, 1997.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"68\">\n<li>&ldquo;Sylvia Plath ve \u015eiir Yazman\u0131n Tehlikeleri,&rdquo; (<strong>Plath &amp; the Dangers of Writing Poetry<\/strong>) <em>T&uuml;rk-\u0130ngiliz K&uuml;lt&uuml;r Derne\u011fi<\/em>, 18 October 1996.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"69\">\n<li>&ldquo;Ya\u015fam\u0131m\u0131z ve K&uuml;lt&uuml;rs&uuml;zle\u015fme,&rdquo; (<strong>Our Lives &amp; Lowbrowism<\/strong>) <em>ODT&Uuml; Bahar \u015eenlikleri<\/em>, <em>Karanfil Stand\u0131 Etkinlikleri, <\/em>2 May 1996.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"70\">\n<li>&ldquo;Top of the Pops ve Yabanc\u0131la\u015fma,&rdquo; (<strong>Top of the Pops &amp; Alienation<\/strong>) <em>Mehmet Emin Resulzade, Anadolu Lisesi<\/em>, 20 December 1996.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"71\">\n<li><strong>&#8220;Political Poetry in the Last Twenty Years: Poetry Re-Considered<\/strong>,&#8221; <em> Amerikan Et&uuml;dleri Semineri:<\/em> <em>1975-1995: Looking Backward&#8221;<\/em>, 2-3 November, 1995, Antalya.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"72\">\n<li>&ldquo;A\u015fk Bir \u015eiddet Eylemidir,&rdquo; (<strong>Love Is An Act of Violence<\/strong>: <strong>Talk to METU Students<\/strong>) <em>ODT<\/em><em>&Uuml;, Bahar \u015eenlikleri<\/em>, 1995.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"73\">\n<li>&ldquo;Yusuf Eradam ile Sohbet&rdquo; (<strong>Interview With Yusuf Eradam<\/strong>) Radyo Gazi Magosa, Cyprus, 1995<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"74\">\n<li>&ldquo;<strong>The West Ain&rsquo;<\/strong><strong>t There: Popularizing the Frontier Myth<\/strong>,&rdquo; Amerikan Et&uuml;dleri Derne\u011fi Konferans\u0131, Adapazar\u0131 21-23 October 1994.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"75\">\n<li>&ldquo;<strong>Multiculturalism in Modern America,&rdquo;<\/strong> <em>Y\u0131ll\u0131k Amerikan Et&uuml;dleri Semineri<\/em>, 21 October 1994, &Ccedil;e\u015fme (Closing Panel with Dr. Shelley Fisher Fishkin, Dr. Ay\u015fe K\u0131rtun&ccedil; &amp; Cultural Attach&eacute; Dr. William Jones<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"76\">\n<li>&ldquo;<strong>Toni Morrison: Nobel Prize Winner 1993<\/strong>,&rdquo; <em>Amerikan Et&uuml;dleri Derne\u011fi Konferans Dizisi<\/em>, 13 December 1993.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"77\">\n<li>&ldquo;<strong>Cultural Diversity and Diversity Management<\/strong>,&rdquo; <em> Amerikan Et&uuml;dleri Semineri<\/em>, \u0130zmir, 13 December 1993.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"78\">\n<li><strong>B\u0130<\/strong><strong>LAR English Translation Seminar by<\/strong> <strong>Yusuf Eradam<\/strong>, Ankara, 1 March-29 May, 1993.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"79\">\n<li>&ldquo; <strong>&lsquo;<\/strong><strong>Although&rsquo; <\/strong><strong>She Was a Woman: Sylvia Plath and Her Language and Imagery from a Womanist Point of View<\/strong>,&rdquo; <em>Amerikan Et&uuml;dleri Derne\u011fi ve USIS Konferans\u0131<\/em>, \u0130zmir, April 1992.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"80\">\n<li>&ldquo;Al Midilli,&rdquo; (<strong>On<\/strong><strong><em> Red Pony<\/em><\/strong>, J. Steinbeck), <strong>TRT 1<\/strong>. 1 June 1991, Radio Talk.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"81\">\n<li>&ldquo;Dilimizin Ustalar\u0131, Dil ve K&uuml;lt&uuml;r, Dil ve Pop&uuml;ler K&uuml;lt&uuml;r konulu oturumlar (TRT TV Series: <strong>Masters of Our Language, Panel with Yusuf Eradam, Ahmet \u0130nam &amp; Ahmet Kocaman<\/strong>) TRT 2, 1990.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"82\">\n<li>&ldquo;Tom Amca&rsquo;n\u0131n Kul&uuml;besi,&rdquo; (<strong>On <\/strong><strong><em>Uncle Tom&rsquo;<\/em><\/strong><strong><em>s Cabin<\/em><\/strong><strong> &amp; H. B. Stowe<\/strong>) 2 March 1988, <strong>TRT 1<\/strong>. Radio Talk.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"83\">\n<li>&ldquo;Cennet Yolu,&rdquo; (<strong>On <em>East of Eden<\/em> &amp; J. Steinbeck<\/strong>) 16 March 1988, <strong>TRT 1, Radio Talk.<\/strong><\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>ARTISTIC ACTIVITIES:<\/strong><\/p>\n<p><strong>-Music: <\/strong><\/p>\n<p><strong>-Anadolu Halk Ezgileri Grubu solisti olarak 1999-2001 y\u0131llar\u0131 aras\u0131nda &uuml;niversitelerde ve sokakta &ccedil;e\u015fitli konserler. Vokalist in Anatolian Peoples&rsquo; Songs Group (1999,2001)<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>-ALBUM-CD: <em>Shameless Rose<\/em>. 13 Compositions by Eradam, 13 Songs of Turkish Poetry: (EDEPS\u0130Z G&Uuml;L). <\/strong>KALAN M&Uuml;Z\u0130K, June <strong>2014<\/strong>.&nbsp;&nbsp; (Eradam donated his copyright share from the sales to Darussafaka, the school for orphans, he graduated from in 1973.)<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>-2014, Performed His Own Song titled &ldquo;N&acirc;z\u0131m&rdquo; <\/strong>at the S&uuml;reyya Opera House at a N&acirc;z\u0131m Hikmet Songs Night, the proceeds of which went to Darussafaka, the high school Eradam graduated from in 1973.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong><em>&#8211; A reading of his short story &#8220;Bitli Saniye Abla ve Dokunmatik Pehlivan Eni\u015fte&#8221; was broadcast on the German radio Deutche-Welle.<\/em><\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>-His short story &ldquo;<\/strong><strong>The Oleaster Tree \/ \u0130\u011f<\/strong><strong>de A\u011fac\u0131&rdquo;<\/strong><strong>) was included in a short-story readings-CD compilation by Denizbank.<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>-A reading on Open Radio (A&ccedil;\u0131<\/strong><strong>k Radyo) of his short story &ldquo;<\/strong><strong>The Door \/ Kap\u0131.&rdquo; <\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>-Photography Exhibitions:<\/strong><\/p>\n<p>(All proceeds donated to Darussafaka, a 153 year old boarding school for orphans. Eradam is one graduate, 1973.)<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li><strong><em>Humanscapes from Turkey<\/em><\/strong>, Cage Gallery, Saginaw, Michigan, 1999.<\/li>\n<li><strong><em>Humanscapes from the USA. <\/em><\/strong>Ankara U., DTCF Fuaye. Ankara, 2002.<\/li>\n<li><strong><em>My Buddies\/Bodies<\/em><\/strong>, T&uuml;rk-Amerikan Derne\u011fi. Ankara, 2004.<\/li>\n<li><strong>The Plinth Stone Dwellers: Humanscapes from Cihangir<\/strong>. MaviKum Kitabevi,<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp; Cihangir: Istanbul, 2007<strong><em>.<\/em><\/strong><\/p>\n<p><strong><em>5.ISTANBUL IS<\/em><\/strong>. BAU, May 2013.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ENSTALASYON, Uluslararas\u0131 Bienal Yerle\u015fkesine &Ccedil;evirilerle Katk\u0131: &ldquo;Tutuklu \u015eairler&rdquo;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>2018-2022 Hintli sanat&ccedil;\u0131 Shilpa Gupta&rsquo;n\u0131n birka&ccedil; &uuml;lkenin bienallerinde sergilenen &ldquo;Hapse Giren \u015eairler&rdquo; konulu enstalasyonunda yer almak &uuml;zere se&ccedil;ilen N&acirc;z\u0131m Hikmet, Metin Demirta\u015f ve Arif Damar \u015fiirlerinin Eradam taraf\u0131ndan yap\u0131lan &ccedil;evirileri 2022 y\u0131l\u0131nda kitapla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. Translations of Eradam from Turkish poets who were imprisoned for their works were juxtaposed in a Shilpa Gupta bienal installation exhibit all over the world. The book of this project is published in 2022.<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Unpublished Dissertations: Yay\u0131mlanmam\u0131\u015f Bilimsel Tezleri<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li><strong>&ldquo;<\/strong><strong>George Eliot, the Social Critic,&rdquo;<\/strong> (<strong>BA<\/strong> Graduation Paper) Hacettepe University, 1977.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><strong>&ldquo;<\/strong><strong>Literature in Language Teaching,&rdquo;<\/strong> Moray House College of Education, Edinburgh University, 1989. (<strong>Second MA in TESOL dissertation<\/strong>. Supervisor: Dr. Leslie Dickinson)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li><strong>&ldquo;<\/strong><strong>The Haunted Individual in David Mercer&rsquo;<\/strong><strong>s Stage Plays,&rdquo;<\/strong> Hacettepe University, <strong>PhD Dissertation<\/strong>, 1986.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Other Published Translations: Poetry, Short Play, Essay &amp; Short Story: <\/strong><\/p>\n<p><strong>Yay\u0131mlanm\u0131\u015f <\/strong><strong>Di\u011fer &Ccedil;al\u0131\u015fmalar\u0131<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li>Charles Marowitz, &ldquo;Oyuncunun Duas\u0131,&rdquo;<strong><em> Oyun Dergisi<\/em>. <\/strong>Say\u0131 21, March-April, 2014: 71-77.<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol start=\"2\">\n<li>Oktay Rifat, &ldquo;<strong>Freedom Has Hands<\/strong>,&rdquo; <em>Turkish Book Review<\/em>, no.5. July-December, 2009: 33-<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp; 35.<\/p>\n<ol start=\"3\">\n<li>\u015e&uuml;kr&uuml; Erba\u015f, &ldquo;&Ouml;mr&uuml;m&uuml; B&ouml;yle Uzat\u0131yorum,&rdquo; (<strong>Thus I Lengthen My Life<\/strong>). <strong>&Ccedil;.N<\/strong>. 9. September 2009.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li>Beh&ccedil;et Necatigil, (<strong>Loving<\/strong>) &ldquo;Sevgilerde,&rdquo; <em>&Ccedil;.N<\/em>. Kitap 7. 2009: 39.<\/li>\n<li>Lale M&uuml;ld&uuml;r, &ldquo;<strong>Are You Worth All the Trouble You Will Cause<\/strong>,&rdquo; <em>Turkish Book Review<\/em>, No.<\/li>\n<li>January-June 2009: 66.<\/li>\n<li>Emily Dickinson, &ldquo;Bir Cenaze Hissettim Beynimde,&rdquo; (<strong>I felt a funeral in my brain<\/strong>) &Ccedil;ev. Yusuf Eradam, <em>Paspatur:<\/em> K&uuml;lt&uuml;r Sanat Edebiyat, September-October say\u0131 6, 2008: 19.<\/li>\n<li>Can Y&uuml;cel, &ldquo;<strong>The Wall of Love<\/strong>,&rdquo; <em>Turkish Book Review<\/em>. No.02. January-June 2008: 59.<\/li>\n<li>G&uuml;lten Ak\u0131n, &ldquo;<strong>The Poem of the Mother Demanding Her Son<\/strong>,&rdquo; <em>Turkish Book Review<\/em>,<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp; No. 03. July-December, 2008.<\/p>\n<ol start=\"9\">\n<li>Metin Demirta\u015f, &ldquo;<strong>Che Guevara<\/strong>,&rdquo; <em>&Ccedil;.N<\/em>. Kitap 4. September 2007: 131.<\/li>\n<li>Sennur Sezer, &ldquo;<strong>Che Was A Doctor,<\/strong>&ldquo; <em>&Ccedil;.N<\/em>. Kitap 4. September 2007: 136.<\/li>\n<li><strong>4 Poems by Gerard Manley Hopkins<\/strong>: <em>\u015eiirat\u0131, Bahar Kitab\u0131<\/em>, 2005: 167-170.<\/li>\n<li><strong>3 Poems by Emily Dickinson<\/strong>: <em>\u015eiirat\u0131, Bahar Kitab\u0131<\/em>, 2005: 173-175.<\/li>\n<li>Beh&ccedil;et Aysan, &ldquo;<strong>Stay Like That \/ &Ouml;yle Kal<\/strong>,&rdquo; <em>Littera<\/em>. Say\u0131 4, 1993: 122.<\/li>\n<li>Adrian D&rsquo;Ambra, &ldquo;<strong>The Hunchback Barber<\/strong>\/Kambur Berber,&rdquo; <em>Littera<\/em>. Say\u0131 4, 1993: 8-11.<\/li>\n<li>&ldquo;Sokaklardaki &Ccedil;eviri,&rdquo; (<strong>Translations from the Streets<\/strong>) (with &Ouml;zhan Yi\u011fiter) <em>Metis &Ccedil;eviri<\/em>, Say\u0131 1990 G&uuml;z: 131.<\/li>\n<li>&ldquo;The Wasp,&rdquo; <em>Metis &Ccedil;eviri<\/em> 5. 1990 Bahar, ss. 140-41. (<strong>On Translation Mistakes<\/strong>)<\/li>\n<li>&ldquo;&Ccedil;eviri &Uuml;zerine S&ouml;zler,&rdquo;<em> (<\/em><strong>Quotes on Translation)<\/strong><em> Metis &Ccedil;eviri<\/em> 5, 1988: 3-4.<\/li>\n<li>Beh&ccedil;et Aysan, &ldquo;Zeybekiko,&rdquo; (with Michael Gurian). <em>Olu\u015fum<\/em>. 1988: 44-45.<\/li>\n<li>Howard Woolf, &ldquo;Babam\u0131n D&uuml;\u015f&uuml;,&rdquo; (\u015eiir) ve &ldquo;Babam\u0131n D&uuml;\u015f&uuml; &Uuml;zerine Bir &Ccedil;ift S&ouml;z,&rdquo;<\/li>\n<\/ol>\n<p><em>Olu\u015fum<\/em>. 1987: 56-57.<\/p>\n<p>20.<strong>&ldquo;<\/strong><strong>Translations from Japanese Poetry,&rdquo;<\/strong> <em>D&uuml;nya \u015eiir Antolojisi<\/em> <em>3<\/em>. Ed. &Ouml;.\u0130nce, A.Behramo\u011flu.&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ankara: S&ouml;ylem Yay\u0131nlar\u0131, 1987:&nbsp; 227, 234, 238-40, 245, 246, 250-51.<\/p>\n<ol start=\"21\">\n<li><strong>&ldquo;<\/strong><strong>Translations from Russian Poetry,&rdquo;<\/strong><em> 4<\/em>. Ed. &Ouml;. \u0130nce, A.Behramo\u011flu. Ankara: S&ouml;ylem Yay\u0131nlar\u0131,<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1987: 166, 178-80, 192-97, 201-203, 205, 266-68.<\/p>\n<ol start=\"22\">\n<li>Luigi Pirandello, &ldquo;<strong>War<\/strong>&rdquo; &ldquo;Sava\u015f,&rdquo; <em>Yazko &Ccedil;eviri <\/em>9. November-December 1982: 21-23.<\/li>\n<li>Norman Smythe, <strong><em>The Ragpickers<\/em><\/strong>, (Pa&ccedil;avra Ay\u0131klay\u0131c\u0131lar\u0131) <em>Yazko &Ccedil;eviri<\/em>. Say\u0131 7. July-August,<\/li>\n<\/ol>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1982: 67-88.<\/p>\n<ol start=\"24\">\n<li>James Saunders, <strong>What Theatre Really Is<\/strong>. (Tiyatro Nedir Asl\u0131nda) <em>Yazko &Ccedil;eviri<\/em>. Say\u0131 3November-December 1981: 107-116.<\/li>\n<li>Raymond Carver, &ldquo;Popular Mechanics,&rdquo; (Pop&uuml;ler Mekanik) <em>Kum Edebiyat Dergisi<\/em>, Say\u0131 71. 2013: 30-31<\/li>\n<li>&ldquo;2 poems by G&uuml;lten Ak\u0131n translated by Eradam&rdquo; <strong><em>Turkish Poetry Today 2016<\/em><\/strong>, London: Red Hand Books, December 2016: 78<\/li>\n<\/ol>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>International Citations:<\/strong><strong> Uluslararas\u0131 At\u0131flar<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>ISI, META, Prof. Dr. Berrin Aksoy&rsquo;s article.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Canada <em>META<\/em> (No 47 (1), 2002: 145-147) &ldquo;The Foal on the Pitchfork&rdquo;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>JAST&nbsp; Bar\u0131\u015f G&uuml;m&uuml;\u015fba\u015f&rsquo;s evaluation: A Book review of Eradam&rsquo;s <\/strong><em>BEN&rsquo;DEN &Ouml;NCE TUFAN<\/em> (The Deluge Before the Self \/ Sylvia Plath &amp; Her Poetry,&rdquo; <em>JAST <\/em>(Journal of American&nbsp; Studies)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>Paul Theroux, <strong><em>Ghost Train to the Eastern Star<\/em><\/strong>. Boston, New York: Houghton Mifflin Co., 2008. p.55.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Images of Home Help Quake Victims: Interview with Yusuf Eradam<\/strong>, <strong><em>The Saginaw News<\/em><\/strong><em>, <\/em>December 11, 1999. (Interview on his photography exhibition for the earthquake victims.)&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&ldquo;<strong>A Carrollton Man is shrinking the world, one teacher at a time,&rdquo;<\/strong> <strong><em>The Saginaw News<\/em><\/strong>, December 12, 1999, p. 2.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>&ldquo;<strong>Visiting Professor soon to leave SVSU<\/strong>,&rdquo; <strong><em>The Valley Vanguard<\/em><\/strong>, December 7, 1999. Vol 32. No. 7.&nbsp; p.1, 5.&nbsp;&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>&#8211;Prof. <strong>Kerry Segel<\/strong>. &ldquo;<strong>Themes in Modern Literature&rdquo;.<\/strong> <strong><em>A Collection of Stories suitable for classroom use.<\/em><\/strong> <strong>Istanbul, Through the Ages.<\/strong> Center for Middle Eastern and North African Studies, The University of Michigan, 144 Lane Hall, Ann Arbor, MI. (Rackham Building., E. Washington Street. Ann Arbor, Michigan.) March 22, 1997:&nbsp;<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>&#8211;Kerry Segel, &ldquo;<strong>Translation literatures as focal points of social resistance: Contemporary Turkish literatures in English Translation<\/strong>,&rdquo; Oct. 4. 1996, Michigan College English Association, Lansing, Michigan.<strong> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&#8211;Kerry Segel, &ldquo;<strong>In the mind of a contemporary writer: Selected works of Yusuf Eradam<\/strong>,&rdquo; Saginaw Valley State University, University Center, Michigan, Ann Arbor Michigan Workshop for high school readers on Turkish culture. Oct 15, 1998.&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Also check: <a href=\"http:\/\/scholar.google.com.tr\/scholar?q=yusuf+eradam&amp;btnG=&amp;hl=tr&amp;as_sdt=0%2525252C5\">http:\/\/scholar.google.com.tr\/scholar?q=yusuf+eradam&amp;btnG=&amp;hl=tr&amp;as_sdt=0%2C5<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/scholar.google.com.tr\/scholar?hl=tr&amp;q=prof.+dr.+yusuf+eradam&amp;btnG=&amp;lr=\">http:\/\/scholar.google.com.tr\/scholar?hl=tr&amp;q=prof.+dr.+yusuf+eradam&amp;btnG=&amp;lr=<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Over 150<\/em><\/strong><strong> citations via Academia Edu within 2017-2021<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CV &ndash; RESUM\u0116 &nbsp; &nbsp; Name: YUSUF ERADAM Title: Lecturer, Prof. Dr. Date of Birth: 29. 03. 1954 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Education: Degree Field University Year &nbsp; Literature Dar&uuml;\u015f\u015fafaka High School 1973 BA English Language &amp; Literature Hacettepe University, Ankara 1977 MA 1 English Language &amp; Literature Hacettepe University, Ankara 1979 MA &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"http:\/\/yusuferadam.com\/?page_id=173\">Devam\u0131n\u0131 oku<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/yusuferadam.com\/index.php?rest_route=\/wp\/v2\/pages\/173"}],"collection":[{"href":"http:\/\/yusuferadam.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/yusuferadam.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/yusuferadam.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/yusuferadam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=173"}],"version-history":[{"count":17,"href":"http:\/\/yusuferadam.com\/index.php?rest_route=\/wp\/v2\/pages\/173\/revisions"}],"predecessor-version":[{"id":893,"href":"http:\/\/yusuferadam.com\/index.php?rest_route=\/wp\/v2\/pages\/173\/revisions\/893"}],"wp:attachment":[{"href":"http:\/\/yusuferadam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}